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Visioning Israel-Palestine
Visioning Israel-Palestine strives to cultivate recognition of the part that cultural products have played in the duplication of the Israeli-Palestinian conflict. While this conflict is one of the longest-lasting struggles over land and human rights in recent history, politicians and the media have largely reduced it to a series of debates over historical facts and expressions of violence. Its persistence, however, has also led to the manufacture of cultural products that challenge understandings of the conflict as a fight between two distinct peoples unified against each other. The wide range of international contributors to the volume analyse the content of such products alongside the work that they do within Israel-Palestine and in the Jewish and Palestinian diasporas. Considering Israeli and Palestinian films, art installations, street exhibitions, photographs and oral histories, Visioning Israel-Palestine expands the conflict's historical imagination and nurtures suitable cultural conditions to revitalize the Israeli-Palestinian peace process.
The Handbook of Photography Studies
The Handbook of Photography Studies is a state-of-the-art overview of the field of photography studies, examining its thematic interests, dynamic research methodologies and multiple scholarly directions. It is a source of well-informed, analytical and reflective discussions of all the main subjects that photography scholars have been concerned with as well as a rigorous study of the field’s persistent expansion at a time when digital technology regularly boosts our exposure to new and historical photographs alike. Split into five core parts, the Handbook analyzes the field’s histories, theories and research strategies; discusses photography in academic disciplinary and interdisciplinary ...
Photography, History, Difference
Over the past decade, historical studies of photography have embraced a variety of cultural and disciplinary approaches to the medium, while shedding light on non-Western, vernacular, and "other" photographic practices outside the Euro-American canon. Photography, History, Difference brings together an international group of scholars to reflect on contemporary efforts to take a different approach to photography and its histories. What are the benefits and challenges of writing a consolidated, global history of photography? How do they compare with those of producing more circumscribed regional or thematic histories? In what ways does the recent emphasis on geographic and national specificity...
What Happened? Re-presenting Traumas, Uncovering Recoveries
Traumatic experiences with an overwhelming life-threatening feel affect numerous people’s lives. Death and disablement through accident, illness, war, family violence, natural and human-induced disaster can be experienced variously at an individual level through to whole communities and nations. Traumatic memories are intrusive and insistent but fragmented and distorted by the power of sensory information frozen in time. This volume examines the ways individuals, families, communities and nations have engaged with representations of traumas and the ethical dimensions embedded in those re-presentations. Contributors also explore the work of recovering from trauma and finding resilience thro...
Visual Conflicts
This collection of essays explores ways in which visual cultures have engaged with armed conflict and politically-motivated acts of violence of all types. It works out of analytical frameworks developed in the fields of Art History and Visual Culture in order to address the politics of representing conflict within and beyond these disciplines. The contributors seek to extend perceived well-established academic approaches to thinking about visual production in the context of war, conflict, and militarism through a study of various themes, including historiography, subjectivity, biography, narrative construction, commemoration, identity, and memory formation. Each author considers how visual representations of conflict shape the meanings of politically significant events, of specific social formations, of subject positions and enacted roles. The volume investigates a set of representational regimes in visual media, including print-making, painting, photography and digital imaging, and the use to which they have been put to generate as well as mediate realities of conflict.
Photography, Truth and Reconciliation
Photography, Truth and Reconciliation charts the connections between photography and a crucial issue in contemporary social history. The book examines the prevalence of photography in cultural responses to processes of truth and reconciliation, and argues that photographs are a valuable means through which stories can be retold and historiography can be rethought. Five compelling case studies from Argentina, Canada, Australia, South Africa and Cambodia underscore the special role that this medium has played in facilitating processes of recovery, and in reconstructing suppressed histories, even when a documentary record of the events does not exist. The diverse practices addressed in this boo...
Photography Reframed
At a critical point in the development of photography, this book offers an engaging, detailed and far-reaching examination of the key issues that are defining contemporary photographic culture. Photography Reframed addresses the impact of radical technological, social and political change across a diverse set of photographic territories: the ontology of photography; the impact of mass photographic practice; the public display of intimate life; the current state of documentary, and the political possibilities of photographic culture. These lively, accessible essays by some of the best writers in photography together go deep into the most up-to-date frameworks for analysing and understanding photographic culture and shedding light on its histories. Photography Reframed is a vital road map for anyone interested in what photography has been, what it has become, and where it is going.
Cold War Camera
Cold War Camera explores the visual mediation of the Cold War and illuminates photography’s role in shaping the ways it was prosecuted and experienced. The contributors show how the camera stretched the parameters of the Cold War beyond dominant East-West and US-USSR binaries and highlight the significance of photography from across the global South. Among other topics, the contributors examine the production and circulation of the iconic figure of the “revolutionary Vietnamese woman” in the 1960s and 1970s; photographs connected with the coming of independence and decolonization in West Africa; family photograph archives in China and travel snapshots by Soviet citizens; photographs of...
Constructing an Avant-Garde
How Brazilian postwar avant-garde artists updated modernism in a way that was radically at odds with European and North American art historical narratives. Brazilian avant-garde artists of the postwar era worked from a fundamental but productive out-of-jointness. They were modernist but distant from modernism. Europeans and North Americans may feel a similar displacement when viewing Brazilian avant-garde art; the unexpected familiarity of the works serves to make them unfamiliar. In Constructing an Avant-Garde, Sérgio Martins seizes on this uncanny obliqueness and uses it as the basis for a reconfigured account of the history of Brazil’s avant-garde. His discussion covers not only widely...
Photography’s Materialities
There is little dispute that photography is a material practice, and that the photograph itself is ineluctably material. And yet “matter,” “material,” and “materiality” have proven to be remarkably elusive terms of inquiry, frequently producing studies that are disparate in scope, sharing seemingly little common ground. Although the wide methodological range of materialist study can be dizzying, it is this book’s contention that that multiplicity is also the field’s greatest asset, keeping materialist inquiry enduringly vibrant—provided that varying methods are in close enough proximity to converse. Photography’s Materialities orchestrates one such conversation. Juxtaposi...
