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The saint's cult casts light on relations between Cornwall and Brittany - and Henry II's empire - in the 12th century.
Between Folk and Liturgy, the title of this collection, should not be understood to refer to some fixed point, some stable place between the two extremes of an illiterate and a literate culture. Rather, the title flags the wide and colourful spectrum of medieval dramatic possibility. Perhaps except one, none of the ten essays published here deal with a drama existing purely at either end of this scale. They add to our impression of the teaming fecundity and hybridism of early European drama, an impression that grows apace once we start to consider dramas situated Between Folk and Liturgy. The geographical terrain that the essays traverse ranges from the British Isles in the west to Poland in the east. The suppleness of the approaches taken here is the minimum critical requirement of anyone wanting to do justice to so complex and multifold a phenomenon as is early European drama.
Saints' cults flourished in the medieval world, and the phenomenon is examined here in a series of studies.
Making use of the methodology developed in his Origins of Arthurian Romances (McFarland, 2012), the author explores the question of King Arthur's existence in several original approaches to the subject. Examining the extant literature and other evidence, the author searches for the truth of the who when and where of King Arthur. These explorations are grouped into historicity, geography and the years in which he flourished. The conclusion is that Arthur was indeed an historical entity and the author places him in a specific area and narrows the time frame of his period of activity.