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A single line, wrought in metal, becomes a human profile. Turn it slightly and the character of the profile changes, from angry to pensive, from surprised to sullen. Made of the humblest material, recycled wire hangers, Gilles Collette's Porte-manteau sculptures combine wire, light, space and the viewer's vantage point to form quasi-kinetic portraits. From the primordial line emerges a multitude of shapes and expressions, delicately delineated in space, forming the thin separation between absence and fullness of form. Expressive portraits from one viewpoint, some of the figures become abstract from another: arabesques in light and shadow, dancing figures, fantastic flora. Some portraits change genders from one shot to the next; others emerge from what appeared to be a straight line...
This book summarizes the rationale for the parameters and conditions that should be taken into consideration in the education and selection of blood donors, in order to allow blood service staff, community volunteers and prospective blood donors to understand them. In addition, it includes recommendations made by PAHO to the national health authorities and the national blood programs for promoting multidisciplinary and coordinated approaches for health promotion, public education, universal and regional human and patient rights-as applicable to blood donors and recipients-, quality assurance and financial efficiency in the issues pertaining to sufficiency, availability, access, quality, safety, and timeliness of blood for transfusion.
An examination of France's presence in the South Pacific after the takeover of Tahiti. It places the South Pacific in the context of overall French expansion and current theories of colonialism and imperialism and evaluates the French impact on Oceania.
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