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Telex : Iran is an extraordinarily personal document of a public event. The photographs Gilles Peress took over a five-week period during the 1979/80 seizure of the American embassy in Tehran form neither a study nor an analysis. Peress didn't plan to go to Iran: the instant imagery, the caricatures of "fanatics" on his TV got to him. He felt the need to understand for himself the apparent madness about which the Western media could only generalize
This book is based on research conducted in Bosnia and Croatia from 1992 to 1997. Some of the name of individuals in the book have been changed to protect them from possible retaliations and further hardship.
An almanac to the world of Gilles Peress' Whatever You Say, Say Nothing, delineating the decades of conflict in Northern Ireland In Annals of the North, New York-based photographer Gilles Peress (born 1946) and writer and lawyer Chris Klatell combine essays, stories, photographs, documents and testimonies to open up for the reader the complicated and contradictory storylines that emerged from the conflict in the North of Ireland. Weighed down by 800 years of colonization but only the size of Connecticut (with half its population), Northern Ireland provides a remarkably intimate stage set. Interweaving text and image, Annals of the Northexamines the multifaceted struggle between Irish Republicans and Nationalists, Protestant Unionists and Loyalists, and the imperial British, to explore broader themes of empire, retribution and betrayal, as well as the tense dialectic between the ordinary demands of everyday life and periodic explosions of violence. The book is at once wide-ranging yet deeply personal and political, alternately dense and humorous, legal and literary.
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Fotos fra Bosnien 1993
Presents an exhibition of photographics originally shown at a store front in the Soho district of New York City. The focus of the exhibition is on the September 11, 2001 World Trade Center disaster and its aftermath.
Susie Linfield addresses the issue of whether photographs depicting past scenes of violence & cruelty are voyeuristic, arguing that if we do not look & understand that we are seeing at people, rather than depersonalised acts of inhumanity, our hopes of curbing political violence today are probably limited.
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Features the transcript of an interview conducted by Harry Kreisler of the Institute of International Studies of the University of California at Berkeley with the French photographer Gilles Peress, who is a photographer with Magnum Photos. Highlights recent books by Peress, such as "Farewell to Bosnia" and "The Silence." Explains that the latter book dealt with the genocide in Rwanda. Information is presented by the Institute of International Studies of the University of California at Berkeley.
A long-awaited, multivolume "documentary fiction" of photographs and documents portraying the Northern Ireland conflict In 1972, at the age of 26, Gilles Peress (born 1946) photographed the British Army's massacre of Irish civilians on Bloody Sunday. In the 1980s he returned to the North of Ireland, intent on testing the limits of visual language and perception to understand the intractable conflict. Whatever You Say, Say Nothing, a work of "documentary fiction," organizes a decade of photographs across 22 fictional "days" to articulate the helical structure of history during a conflict that seemed like it would never end--days of violence, of marching, of riots, of unemployment, of mourning. Accompanying each copy is Annals of the North, a text-and-image almanac to Whatever You Say, Say Nothing, also published separately by Steidl this season; the books are housed together in a tote bag. Held back for 30 years and now eagerly anticipated, Whatever You Say, Say Nothingtakes the language of documentary photography to its extremes.