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Reconstructing Female Sexuality and Deconstructing Male Anxiety
This interdisciplinary study undertakes a profound exploration of the representation and symbolism surrounding female genitalia, seeking to challenge entrenched patriarchal narratives. By delving into works by Charles Burns, Angela Carter, and Patrick Süskind, the analysis unveils the intricate interplay between female sexuality and the male psyche. Employing the works of feminist theorists such as Luce Irigaray, Julia Kristeva, Hélène Cixous, Barbara Creed, Riana Eisler, Bracha Ettinger, and Marija Gimbutas, this analysis places the androcentric views reflected in the works of Freud, Lacan and Jung under scrutiny. Departing from conventional approaches, this research celebrates the reproductive features of women, aiming to resurrect a primordial representation rooted in procreational power. Drawing from diverse fields including myth, psychology, archaeology, philosophy, and religion, the study illuminates the layers of unconscious thought embedded in literary works. Ultimately, this study advocates for a non-binary understanding of femininity, positioning the female reproductive body as an enduring gateway between animate and inanimate realms; both alluring and repelling.
The Survival of Myth
What are myths and what are they for? Myths are stories that both tell us how to live and remind us of the inescapability and pull of the collective past. The Survival of Myth: Innovation, Singularity and Alterity explores the continuing power of primal stories to inhabit our thinking. An international range of contributors examine a range of texts and figures from the Bible to Cormac McCarthy and from Thor to the Virgin Mary to focus on the way that ancient stories both give access to the unconscious and offer individuals and communities personae or masks. Myths translated and recreated become, in this sense, very public acts about very private thoughts and feelings. The subtitle of the boo...
Generic Instability and Identity in the Contemporary Novel
Contemporary aesthetics is characterized by generic mixing on the level of both form and content. The barriers between different media and different genres have been broken down in all literary art forms, whether it be theatre, poetry, or the novel. While the publishing industry is increasingly keen to label novels according to genre or sub-genre (“Chick Lit”, “Lad Lit”, “Gay fiction”, “Scottish fiction”, “New Historical Fiction”, “Crime fiction”, “Post-9/11 Fiction”), the novel itself (and novelists) persist in resisting generic categorizations as well as inviting them. Is this a move towards a new artistic liberty or does it simply testify to a confusion of iden...
The Medusa Gaze in Contemporary Women’s Fiction
The Medusa Gaze offers striking insights into the desires and frustrations of women through the narratives of the impressive contemporary novelists Angela Carter, Toni Morrison, Sylvia Plath, Margaret Atwood, A.S. Byatt, Iris Murdoch, Jeanette Winterson, Jean Rhys and Michèle Roberts. It illuminates women’s power and vulnerability as they construct their own egos in opposition to their hostile alter egos or others facing them in their mirrors, and fixes a panoptic gaze on the women stalking its pages, as they learn how to deflect the menacing gaze of others by returning their look defiantly back at them. Some stare back and win assurance; others are stared down, reduced to psychic trauma,...
Disruptive Women of Literature
Disruptive Women of Literature: Rooting for the Antiheroine critically examines the representation of the literary antiheroine in contemporary Gothic and crime-thriller novels and traces her emergence from the deviant women of Greek mythology and Shakespeare to the twenty-first century. It explores how the antiheroine shifts dependent on genre, time period, and format, demonstrating that she is capable of both challenging and reaffirming problematic ideologies surrounding women, power, violence, sexuality, and motherhood. Eleanore Gardner argues that the antiheroine is almost always defined by her experience of a patriarchal trauma and must therefore navigate her identity differently and more complexly than her antihero counterpart. The author examines a broad range of texts to understand the antiheroine’s fluidity, her liminal and abject existence, and what these suggest about cultural anxieties surrounding transgressive women.
Melusine the Serpent Goddess in A. S. Byatt's Possession and in Mythology
Gillian Alban meticulously pursues the Fairy Melusine snake-woman image through the plot and the poetry of A. S. Byatt's novel Possession, into medieval legend, and beyond into her antecedents in ancient myth. The book describes the erotically inspiring force of Melusine's love story and draws parallels with goddesses such as Lamia, Ishtar or Inanna, Isis, and Asherah. Mother, creator, and leader, the figure of Melusine was ultimately vilified and tellingly converted into the demon of patriarchal accounts, as seen in the examples of Lilith, Medusa, Scylla, and the serpent in the Garden. Alban deconstructs part of Genesis, including the roles of Adam and Eve and Cain's crime, and illuminates the Old Testament worship of the goddess Asherah alongside the male Yahweh. A forceful exploration of literature, history, and myth, this study sweeps away limiting assumptions about the female sex. Melusine the Serpent Goddess restores the dignity acknowledged to women of old, making a forceful statement about the power and creativity of women.
A. S. Byatt and Intellectual Women
This monograph is a study of the work of British author A. S. Byatt, exploring the cultural representation of the woman intellectual in her fiction. It argues that Byatt’s representations of this figure show narratives of intellectual women to be inherently mythopoeic, or capable of restructuring the myth of the intellectual as male by default. This mythopoeia is, furthermore, intrinsically feminist in function, thus potentially broadening the conventional, limited view of women in intellectual history. The book will be the first study of Byatt’s work to examine this figure in detail, and the first study of women intellectuals in historical and literary discourse to apply concepts of mythopoeia and sexual difference in ways that allow new readings of women’s status and work in public spheres.
Exploration of Mythological Elements in Contemporary Narratives
Mythology offers a set of cultural codes that have played an essential role in the construction of culture, social life, and identity for the entirety of human history. The transfer of mythological elements to humanity has been achieved through both oral and written narratives in literature. This volume compares the themes of mythological elements used in contemporary narratives with the motifs of classical narratives, and investigates the functions of those elements pursuant to semiotics and narratology.
Melusine's Footprint
In Melusine’s Footprint: Tracing the Legacy of a Medieval Myth, editors Misty Urban, Deva Kemmis, and Melissa Ridley Elmes offer an invigorating international and interdisciplinary examination of the legendary fairy Melusine. Along with fresh insights into the popular French and German traditions, these essays investigate Melusine’s English, Dutch, Spanish, and Chinese counterparts and explore her roots in philosophy, folklore, and classical myth. Combining approaches from art history, history, alchemy, literature, cultural studies, and medievalism, applying rigorous critical lenses ranging from feminism and comparative literature to film and monster theory, this volume brings Melusine s...
The Nature and Function of Water, Baths, Bathing and Hygiene from Antiquity through the Renaissance
These essays offer scholars, teachers, and students a new basis for discussing attitudes toward, and technological expertise concerning, water in antiquity through the early Modern period, and they examine historical water use and ideology both diachronically and cross regionally. Topics include gender roles and water usage; attitudes, practices, and innovations in baths and bathing; water and the formation of identity and policy; ancient and medieval water sources and resources; and religious and literary water imagery. The authors describe how ideas about the nature and function of water created and shaped social relationships, and how religion, politics, and science transformed, and were ...
