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Scene of the Crime
Offering analysis of the fiction of 15 authors for whom the setting greatly contributes to their overall literary style, this book focuses on the many ways that "place" figures in modern crime and mystery novels. The authors (and their settings) are: Georges Simenon (Paris), Donna Leon (Venice), Tony Hillerman (American Southwest), Walter Mosley (South Central Los Angeles), George P. Pelecanos (Washington, D.C.), Sara Paretsky (Chicago), James Lee Burke (Southern Louisiana), Carl Hiaasen (South Florida), Ian Rankin (Edinburgh), Alexander McCall Smith (Botswana), James McClure (South Africa), Maj Sjowall and Per Wahloo (Stockholm), Paco Ignacio Taibo II (Mexico City), Leonardo Sciascia (Sicily) and Lindsey Davis (Ancient Rome).
Understanding Penelope Fitzgerald
Peter Wolfe's study of Penelope Fitzgerald's canon illuminates writings he characterizes as possessing unerring dramatic judgment, a friendly and fluid style, and lyrical and precise descriptive passages. In this survey of Fitzgerald's life and career, Wolfe explains how the British novelist brings resources of talent and craft, thought and feeling, courage and vulnerability, to the biographies and novels that have earned her renown.
Understanding Beryl Bainbridge
"In this introduction to prolific British novelist Beryl Bainbridge, Brett Josef Grubisic provides a biographical sketch of the writer, discussion of her motivations and techniques, and a detailed survey of her fiction that places the works in the traditions of British black comedy, social novels, and historical fiction. In approaching her works, Grubisic maps Bainbridge's movement from social to historical novels, beginning with the comic historicism of Young Adolf and continuing to her most recent fiction, The Birthday Boys, Every Man for Himself, Master Georgie, and According to Queeney. Grubisic holds that in portraying historical events through a variety of narrative techniques or from oblique vantage points, Bainbridge's latest novels partially ally themselves with the style and ideological concerns of literary postmodernism while still recalling the defining view of hardship established in her youth."--BOOK JACKET.
Understanding Graham Swift
"Malcolm discusses the novelist's use of major twentieth-century historical events to shape and deform the lives of his characters; his focus on the distortions and evasions that characterize the discussion of personal, local, and national histories; and his fascination with the complexities, sufferings, and joys that mark individual lives. Malcolm suggests that despite Swift's dark vision of human suffering, he tempers his writing with an intermittent focus on that which can redeem our failures, our losses, and our cruelties."--BOOK JACKET.
Dining Room Detectives
In the structuralist understanding as proposed by John G. Cawelti, a classical detective novel is defined as a formula which contains prescribed elements and develops in a predefined, ritualistic manner. When described in this way, the crime fiction formula very closely resembles a recipe: when one cooks, they also add prescribed ingredients in a predefined way in order to produce the final dish. This surprising parallel serves as the starting point for this book’s analysis of classical detective novels by Agatha Christie. Here, a structuralist approach to Golden Age crime fiction is complemented by methodology developed in the field of food studies in order to demonstrate the twofold role...
Understanding Will Self
Understanding Will Self introduces readers to the satire and expressive ingenuity of a British writer who has garnered an array of awards since the 1991 publication of his first short story collection, The Quantity Theory of Sanity. In this guide to the well-received but largely unstudied writer, M. Hunter Hayes examines the key themes, narrative strategies, and cultural commentaries that characterize Self's work. Through close textual analyses, Hayes guides readers through the alternative universe of Self's writing and maps the interplay between his forays into journalism and fiction. Marked by their combination of seemingly improbable events and quotidian details, Self's novels, novellas, and short stories examine contemporary English life through a mode of writing that he has aptly termed dirty magical realism. Hayes shows how recurring characters have evolved through successive works and in relation with their environments.
Understanding Anita Brookner
Alexander (American studies and literature, U. of Gdansk, Poland), who has written about other Jewish authors, explores the bleak worldview of a British novelist from a Polish-Jewish background. She analyzes Brookner's zoom-in portrayal of her protagonists' faith in a better world despite exile, loneliness, and acceptance of authority and a class system, in 19 short novels from The Debut (1981) to Undue Influence (1999). Annotation copyrighted by Book News, Inc., Portland, OR
Understanding Alan Bennett
A study of the actor, director, playwright and lyricist, Alan Bennett. Peter Wolfe demonstrates that Alan Bennett's success in many spheres was no fluke, and his theatrical eminence has always been accompanied by awards and professional recognition. His play Single Spies won the Oliver Award as England's Best Comedy in 1989. The casts of his plays, starting with Forty Years On in 1968, have included such luminaries as Sir John Gielgud, Sir Alec Guinness, Joan Plowright, Maggie Smith, Alan Bates and Daniel Day Lewis. His screenwriting earned The Madness of King George a nomination for an Academy Award. This book seeks to illuminate the writer whose instinct for artistic choices has helped him to succeed on his own terms.
Understanding Anthony Powell
Nicholas Birns provides a fresh examination of the British writer's career and growing reputation in this introduction to his work. Birns takes a global view of Powell's corpus, situating his works in context and explaining his place among Evelyn Waugh, Graham Greene, and Henry Green, in the second generation of British modernists. Birns explains how Powell and his compatriots pioneered a "next wave" modernism in which experimentation and traditional narrative combined in a sustainable mode.
Negotiating Waters: Seas, Oceans, and Passageways in the Colonial and Postcolonial Anglophone World
This book examines how seas, oceans, and passageways have shaped and reshaped cultural identities, spurred stories of reunion and separation, and redefined entire nations. It explores how entire communities have crossed seas and oceans, voluntarily or not, to settle in foreign lands and undergone identity, cultural and literary transformations. It also explores how these crossings are represented. The book thus contributes to oceanic studies, a field of study that asks how the seas and oceans have and continue to affect political (narratives of exploration, cartography), international (maritime law), identity (insularity), and literary issues (survival narratives, fishing stories). Divided i...
