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Riverbank and Seashore in Nineteenth and Twentieth Century British Literature
The waters of river and sea represent a kind of freedom, a liberty which, as Iris Murdoch writes, enables man "to exist sanely without fear and to perceive what is real." As settings in fiction, the riverbank and seashore are rich in potential, offering a sense of destiny and suggesting the possibility of self-truth and self-knowledge. In British literature, the rural costal setting-shadowed by cliffs, tugged by the constant movement of the sea--becomes the site of revelation and generates the energy that brings characters to a new level of self-awareness. The river's embankments, bridges and tunnels often mark specific stages of revelation and movement in plot. Entrapment and isolation, con...
City and Shore
Certain settings have long been a common element in British mystery and detective fiction: the quaint village; the country manor; the seaside resort; the streets of London. More than simply providing background, physical setting--in particular the city of London and the British seashore--takes on an added dimension, in a sense becoming a player in the mysteries, one that symbolizes, intensifies, and illuminates aspects of the British mystery novel. The first section examines 18 British mystery novels set in the city of London; the second covers 15 novels set by the sea. The novels span the twentieth century; among the authors whose works are included are Agatha Christie, Graham Greene, G.K. Chesterton and P.D. James. The book includes a short biography and listing of primary works for the authors covered, and appendices offer suggested fiction utilizing the two settings, and critical nonfiction covering the genre.
Understanding Alan Sillitoe
Understanding Alan Sillitoe offers a lucid appraisal of the life and works of the well-known contemporary British writer hailed by critics as the literary descendent of D.H. Lawrence. Known primarily for his novels Saturday Night and Sunday Morning and The Loneliness of the Long-Distance Runner, Sillitoe has written more than 50 books over the last 40 years, including novels, plays, collections of short stories, poems, and travel pieces, as well as more than four hundred essays. In this comprehensive study of the major novels and short stories, Hanson reveals Sillitoe's artistic influences and the dominant thematic concerns of his works.
Crime Fiction in the City
Crime Fiction in the City: Capital Crimes expands upon previous studies of the urban space and crime by reflecting on the treatment of the capital city, a repository of authority, national identity and culture, within crime fiction. This wide-ranging collection looks at capital cities across Europe, from the more traditional centres of power - Paris, Rome and London - to Europe's most northern capital, Stockholm, and also considers the newly devolved capitals, Dublin, Edinburgh and Cardiff. The texts under consideration span the nineteenth-century city mysteries to contemporary populist crime fiction. The collection opens with a reflective essay by Ian Rankin and aims to inaugurate a dialogue between Anglophone and European crime writing; to explore the marginalised works of Irish and Welsh writers alongside established European crime writers and to interrogate the relationship between fact and fiction, creativity and criticism, within the crime genre.
Understanding Anita Brookner
Alexander (American studies and literature, U. of Gdansk, Poland), who has written about other Jewish authors, explores the bleak worldview of a British novelist from a Polish-Jewish background. She analyzes Brookner's zoom-in portrayal of her protagonists' faith in a better world despite exile, loneliness, and acceptance of authority and a class system, in 19 short novels from The Debut (1981) to Undue Influence (1999). Annotation copyrighted by Book News, Inc., Portland, OR
Understanding Ian McEwan
Critically-acclaimed contemporary British writer Ian McEwan's novels and short stories often involve tales of aberrance and obsession. In this guide for students and the interested general reader, Malcolm (English, U. of Gdansk, Poland) discusses themes such as incest, espionage, sexual fixation, and political dysfunction in McEwan's writing. He also analyzes McEwan's portrayal of women; his concern with rationalism; his moral perspective; and the impact of feminism on his fiction. Annotation copyrighted by Book News, Inc., Portland, OR
Martha Grimes Walks Into a Pub
Since the 1979 discovery of her work in a slush pile at Little, Brown, Martha Grimes has gone on to publish more than 30 books, win international acclaim (and a Nero Wolfe Award) for her detective series, and develop a following of readers whose loyalty translates to repeated stays on the best-sellers lists. This collection of 10 critical essays provides an in-depth analysis of Grimes' oeuvre, principally the Richard Jury, Emma Graham, and Andi Oliver series. The essays address Grimes' themes of parental abandonment, loneliness, obsession, greed, mistaken and dual identity, the resilience of children, stunted romantic relationships and animal cruelty. Particular attention is paid to her engaging characters, strong sense of place and the comedy, which feature so strongly in her novels.
Understanding Alan Bennett
A study of the actor, director, playwright and lyricist, Alan Bennett. Peter Wolfe demonstrates that Alan Bennett's success in many spheres was no fluke, and his theatrical eminence has always been accompanied by awards and professional recognition. His play Single Spies won the Oliver Award as England's Best Comedy in 1989. The casts of his plays, starting with Forty Years On in 1968, have included such luminaries as Sir John Gielgud, Sir Alec Guinness, Joan Plowright, Maggie Smith, Alan Bates and Daniel Day Lewis. His screenwriting earned The Madness of King George a nomination for an Academy Award. This book seeks to illuminate the writer whose instinct for artistic choices has helped him to succeed on his own terms.
Dining Room Detectives
In the structuralist understanding as proposed by John G. Cawelti, a classical detective novel is defined as a formula which contains prescribed elements and develops in a predefined, ritualistic manner. When described in this way, the crime fiction formula very closely resembles a recipe: when one cooks, they also add prescribed ingredients in a predefined way in order to produce the final dish. This surprising parallel serves as the starting point for this book’s analysis of classical detective novels by Agatha Christie. Here, a structuralist approach to Golden Age crime fiction is complemented by methodology developed in the field of food studies in order to demonstrate the twofold role...
Twentieth Century Short Story Explication: 1999-2000
V.1 contains nearly 6000 entries that provide a bibliography of interpretations for short stories published between 1989 and 1990.
