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Singing and the Actor
Singing and the Actor takes the reader step by step through a practical training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including Belting and Twang are explained, with excercises for each topic.
Singing and the Actor
Singing and the Actor takes the reader step by step through a practical training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including Belting and Twang are explained, with excercises for each topic.
Successful Singing Auditions
This guide covers assessing the potential auditioner's skills, analysing their voice, choosing and preparing appropriate songs, learning material in a hurry, and identifying their role within an audition.
This is a Voice
Your voice is a powerful instrument. But how can you get the best out of it? This is a Voice is a practical toolkit of step-by-step vocal exercises to help speakers and singers of all abilities transform the quality of their voice. Using advice from expert vocal coaches, you'll learn: - Breathing exercises and vocal warm-ups - How to pace and project your voice- Techniques for speaking with confidence- How to sing jazz, pop, opera - and even try beatboxing - with style Whether you're a member of a choir or a professional singer, preparing for a big presentation or planning a wedding speech, This is a Voice will give you the skills to make yourself heard. With a foreword by Cerys Matthews.
Training Contemporary Commercial Singers
If you want to know how, ask an expert - and here are the shared expertises and experience of some of the world's leading singing pedagogues as they explain their teaching methods across a wide range of topic areas working with CCM - Contemporary Commercial Music - Singers.
Impro
Keith Johnstone's involvement with the theatre began when George Devine and Tony Richardson, artistic directors of the Royal Court Theatre, commissioned a play from him. This was in 1956. A few years later he was himself Associate Artistic Director, working as a play-reader and director, in particular helping to run the Writers' Group. The improvisatory techniques and exercises evolved there to foster spontaneity and narrative skills were developed further in the actors' studio then in demonstrations to schools and colleges and ultimately in the founding of a company of performers, called The Theatre Machine. Divided into four sections, 'Status', 'Spontaneity', 'Narrative Skills', and 'Masks and Trance', arranged more or less in the order a group might approach them, the book sets out the specific techniques and exercises which Johnstone has himself found most useful and most stimulating. The result is both an ideas book and a fascinating exploration of the nature of spontaneous creativity.
This Is a Voice
A practical toolkit to help singers and speakers of all abilities transform the quality of their voice.With its own cadence, tone and rhythm, your voice is as unique as a fingerprint, and conveys even more meaning than the words you say. But your voice can also get in the way: we find ourselves mumbling when we want to sound confident, squeaky when we want to be taken seriously, and off-key on those crucial high notes at choir or karaoke.This is a Voice is a practical system of step-by-step vocal warm ups and exercises, each one illustrated with striking graphic design. By following these simple techniques, anyone can gain more control over their voice - whether to project confidence and be more persuasive at work, or just to sing in tune. Divided into sections including speeches, using your voice in the workplace, singing and opera, the book includes guidance on things like breathing and posture, as well as tricks to combat issues such as groggy morning voice or nerves. There are even sections on ventriloquism and beatboxing! This book is both an unusual gift and an essential toolkit to help you transform the way you sound.
The Oxford Handbook of Singing
This handbook is currently in development, with individual articles publishing online in advance of print publication. The table of contents will continue to grow as additional articles pass through the review process and are added to the site.
Acting in Musical Theatre
Acting in Musical Theatre is the only complete course in approaching a role in a musical. It is the first to combine acting, singing and dancing into a comprehensive guide, combining what have previously been treated as three separate disciplines. This book contains fundamental skills for novice actors, practical insights for professionals, and even tips to help veteran musical performers refine their craft. Drawing on decades of experience in both acting and teaching, the authors provide crucial advice on all elements of the profession, including: fundamentals of acting applied to musical theatre script, score and character analysis personalizing your performance turning rehearsal into performance acting styles in the musical theatre practical steps to a career. Acting in Musical Theatre’s chapters divide into easy-to-reference units, each containing related group and solo exercises, making it the definitive textbook for students and practitioners alike.
The Oxford Illustrated History of Theatre
A scholarly look at 4,500 years of theater, beginning with its Greek origins and concluding with a study of theater since 1970.
