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Published by Viking in 1991 and issued as a paperback through Penguin Books in 1992, Snow White became an instant classic for both academic and general audiences interested in how women use humor and what others (men) think about funny women. Barreca, who draws on the work of scholars, writers, and comedians to illuminate a sharp critique of the gender-specific aspects of humor, provides laughs and provokes arguments as she shows how humor helps women break rules and occupy center stage. Barreca's new introduction provides a funny and fierce, up-to-the-minute account of the fate of women's humor over the past twenty years, mapping what has changed in our culture--and questioning what hasn't.
FAST FUNNY WOMEN is a broad collection: 75 women writers, ages 20 to 89, were invited by editor Gina Barreca to make a party out of their life's most unnerving, challenging, illuminating, desperate, and hilarious moments. Political campaigners, devoted teachers, lousy daughters, good mothers, would-be nuns, admired sportswriters, grad-school-wanna-bes, revenge-driven sisters, frustrated roommates, body-fluid-sorting professionals, lace-loving fashion mavens, intrepid daters, hungry lovers, justice-seeking nasty-women, ACE wedding celebrants, trapped wives, and women with all kinds of ammunition tell their stories-- and their stories are all under 750 words. You know many of these brilliant women, but you've never heard them like this: with new works commissioned for the book from NYT Bestseller and member of the American Academy of Poets, Marge Piercy, Pulitzer-Prize winner Jane Smiley, NYT bestseller graphic artist Mimi Pond, New Yorker staff cartoonist Liza Donnelly, Commander of the British Empire Fay Weldon, bestselling author of "Love, Loss, and What I Wore" Ilene Beckerman, "Sylvia" creator Nicole Hollander, stand-up comics Lisa Landry and Leighann Lord, filmmakers Ferne Pear
In a world where eye cream is made from placenta, Gina Barreca is the lone voice calling out "But wait, whose placenta is it?" In this collection of deliciously quotable essays, Gina asks the big questions: Why is there no King Charming? Why does no bra ever fit? Why do people say "cougar" like it's a bad thing? Why do we call it a glass ceiling when it's just a thick layer of men? Barreca packs a hilarious punch while gleefully rejecting emotional torture, embracing limitless laughter, and showing women how they can conquer the world with good friends ("It's not that diamonds are a girl's best friend, but a girl's best friends are diamonds"), sharp wit, great shoes, and not a single worry about VPLs.
Two of the country's most original humor writers confront myths and stereotypes to establish once and for all that women are funnier than men--and vice versa. Illustrations.
A humorous and provocative account of being a female undergraduate at Dartmouth College in its turbulent first years of co-education
In Untamed and Unabashed, Regina Barreca, noted authority on women and humor, examines the use of humor in the works of Jane Austen, Charlotte Bronte, George Eliot, Elizabeth Bowen, Muriel Spark, and Fay Weldon. She analyzes the ways that each writer uses comedic devices, especially those involving language itself, and discusses the gendered basis of their humor, providing a provocative feminist perspective on gender and comedy. Each of the essays argues that conservative critics have misread and misunderstood the importance of humor in the works of these women authors, and that women's humor serves to explode conventions oppressive to women and to offer women readers a critique of, and an a...
Bottoms up! This landmark celebration of women and drink chips away at traditional images of gender, one ice-cube at a time.
A lively exploration of the manifestations of passion & desire in the teacher-student relationship
Sex and Death in Victorian Literature is a landmark collection of 13 previously unpublished essays on nineteenth-century British poetry, fiction and prose by the most important English and American scholars in the field. The volume observes the subject from an unusually wide variety of viewpoints, including historical, sociological, psychoanalytic, feminist and mythological. There are works central and peripheral to the traditional Victorian canon discussed in Sex and Death; as such the essays present an unprecedented perspective on the shifts and movements of nineteenth-century literature. By grouping the essays under the aegis of sexuality and morality, the volume allows the authors to explore the most important aspects of the works they discuss.
Avidly collected and fetching high prices at auction, the Dartmouth Winter Carnival poster is a treasured and tangible artifact of one of the College's most cherished traditions. Here, presented for the first time, is Dartmouth College Library's definitive collection of Winter Carnival posters from 1911 to 2010, celebrating Dartmouth's seasonal bacchanal, sports fest, and social daze. In addition to their merit as markers of changing taste in graphic arts, the posters offer a fascinating glimpse into a century of intense cultural and institutional development. As a sustained collection the posters are nearly unrivaled, to the envy of ephemera collectors. Everything is here, from the high-end...