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From 1933 until America's entry into World War II in 1941, nearly 500 Nazi films were shown in American theaters, accounting for nearly half of all foreign language film imports during the period. These poorly disguised propaganda films were produced by Germany's top studios and featured prominent pro-German and Nazi actors, directors and technicians. The films were replete with overt and covert anti-Jewish imagery and themes, but in spite of this obvious intent to use the medium to justify Nazi ascendancy, viewers and film critics from such prominent publications as the New York Times, Variety, the Washington Post and the Chicago Times consistently overlooked the films' anti-Semitic message...
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Rewriting Hong Kong's history from the bottom up, the chapters investigate vital, but hitherto obscured, aspects of the colony's rise. They cover the Chinese collaboration with the colonial regime, legal discrimination and intimidation, rural politics, social movements, government-business relations, industrial policy, flexible manufacturing and colonial historiography. Drawing together contributions from historians, sociologists and political scientists, the book highlights the role played by a variety of social actors in Hong Kong's history and differs both from recent celebrations of British colonialism and anti-colonial Chinese nationalism.
Predatory Bender covers the nitty-gritty of lives in the consumer finance industry. Salespeople used borrowers and profits flowed to some of the largest banks in the world. The book is a novel with a non-fiction afterward about reforming the industry.