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* 2021 Foreword INDIES, Finalist * 2022 IPPY MEDALISTS for Essay, bronze "A Best Book of 2021" —NPR "A Most Anticipated Book of 2021” —Refinery29, Thrillist, Book Riot, Lit Hub “In a horror movie, an infected character may hide a bite or rash, an urge, an unwellness. She might withdraw or act out, or behave as if nothing is the matter, nothing has happened. Any course of action opposite saying how she feels suggests suffering privately is preferable to the anticipated betrayal of being cast out.” Night Rooms is a poetic, intimate collection of personal essays that weaves together fragmented images from horror films and cultural tropes to meditate on anxiety and depression, suicide,...
An exciting new anthology of autofiction featuring a wide range of today's best writers, both established and up-and-coming. Collected autofictions from mainstays of literary art and internet avant-garde writing. The contributors in this anthology produce a contemporary, subversive primer of works engaging the relationship between the writer and the text. Featuring: Aiden Arata Nathan Dragon David Fishkind Aristilde Kirby Tao Lin Chris Molnar Vi Khi Nao Elle Nash Gina Nutt Brad Phillips Sam Pink Darina Sikmashvilli BR Yeager
Aislinn Hennessy pens tales of courage, loyalty, and true love, but her heroes of old are pure fantasy-figments of her imagination. She long ago gave up thinking a knight in shining armor would sweep her off her feet, but then she never expected to run him off the road either. Sir Dougray Fitzpatrick has buried one wife and vows to never love again-but destiny has other plans for this 16th century Irish Lord. During a battle, a mist separates Dougray from his men and casts him into the future. Dougray must return to Dunhaven and to his century, but Aislinn follows him into the mist, leaving him no choice, but to take her home with him. Conspiracies, feuds and unexpected violence are commonplace threats, but along the way, Aislinn and Dougray discover a surprise neither one expects: a chance for love even when they're Lost in the Mist of Time.
'Intensely moving, vital and artful' - Guardian 'A dizzying ride . . . both timely and beguiling' - Sunday Times At a moment in which basic rights are once again in danger, Olivia Laing conducts an ambitious investigation into the body and its discontents, using the life of the renegade psychoanalyst Wilhelm Reich to chart a daring course through the long struggle for bodily freedom, from gay rights and sexual liberation to feminism and the civil rights movement. Drawing on her own experiences in protest and travelling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century, among them Nina Simone...
Health and science journalist Chelsea Conaboy explodes the concept of “maternal instinct” and tells a new story about what it means to become a parent. Conaboy expected things to change with the birth of her child. What she didn’t expect was how different she would feel. But she would soon discover what was behind this: her changing brain. Though Conaboy was prepared for the endless dirty diapers, the sleepless nights, and the joy of holding her newborn, she did not anticipate this shift in self, as deep as it was disorienting. Mother Brain is a groundbreaking exploration of the parental brain that untangles insidious myths from complicated realities. New parents undergo major structur...
David Nutt writes like Sam Lipsyte impregnated Sam Lipsyte and a child was born who was breastfed black ink. A daring writer, the kind we need.
Exploring the sudden loss of her child, the hope that precedes this crisis, and the suffering that follows, this collection of poetry renders a shattering experience with candor and immediacy. This collection is about the eviscerating loss of a child, the hope that precedes this crisis, and the suffering that follows. Spare, plain, sometimes startling in their snatches of humor, Pollari’s poems careen into the “tilted reality” of grief. This is poetry dredged from shock and rage, then dissected with pointillistic precision. Many of the pieces are closer to prose: in plain, forceful, language that will capture readers outside the poetry audience, they uncover and name sentiments outside of what is expected in books about child loss and grief: for instance, the embarrassment Niina felt for letting herself feel hope and joy, for revealing that she desired to be a mother at all, and for having to inform the world that her desire would not be granted. A shattering experience rendered with candor and immediacy, Path of Totality is a book “for anyone who ever expected anything” about a rarely told experience of motherhood.
Die 3. aktualisierte Auflage der Wiley Encyclopedia of Management umfasst nun 13 Bände und einen eigenen Index-Band. Dieses erste internationale Nachschlagewerk bietet neben Kurzeinträgen zu Schlüsselbegriffen auch übersichtliche Essays zu bahnbrechenden Entwicklungen und aktuellen Diskussionen sowie ausgeklügelte Querverweise. Mit über 30 % mehr Einträgen von über 1500 Autoren weltweit ist diese mehrbändige Enzyklopädie ein wichtiges Referenzwerk für Wissenschaftler, Studenten und Fachexperten.
"In a horror movie, an infected character may hide a bite or rash, an urge, an unwellness. She might withdraw or act out, or behave as if nothing is the matter, nothing has happened. Any course of action opposite saying how she feels suggests suffering privately is preferable to the anticipated betrayal of being cast out." Night Rooms is a poetic, intimate collection of personal essays that weaves together fragmented images from horror films and cultural tropes to meditate on anxiety and depression, suicide, body image, identity, grief, and survival. Whether competing in shopping mall beauty pageants, reflecting on childhood monsters and ballet lessons, or recounting dark cultural ephemera while facing grief and authenticity in the digital age, Gina Nutt's shifting style echoes the sub-genres that Night Rooms highlights--spirit-haunted slow burns, possession tales, slashers, and revenge films with a feminist bent. Refracting life through the lens of horror films, Night Rooms masterfully leaps between reality and movies, past and present--because the "final girl's" story is ultimately a survival story told another way.
Originally written as a series of viral Facebook posts, then released as a cult hit in St. Petersburg, Meshchaninova’s serialized memoir-novel tackles gender politics and abuse with honest, cutting language. Stories of A Life depicts the life of Natasha, a young woman who suffers abuse first at the hands of her stepfather Sasha and then by young men in the village nearby. This powerful, postmodern novel witnesses the Dickensian struggles of provincial life and reckons with the complicity of fellow women. Starkly down-to-earth yet funny and informal, Stories of A Life demands that we bear witness to the bleakness of a young womanhood in post-Soviet Russia. Meshchaninova is held in high regard as part of a new wave of women filmmakers in Russia, and with this collection cements her position as a woman willing to stare down the viewer and demand complicity.