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Music Box
  • Language: en

Music Box

Originally published in Italian as Music: Box: Rome [Italy]: Contrasto due srl, c2011.

Mediterranean Mosaic
  • Language: en
  • Pages: 350

Mediterranean Mosaic

  • Type: Book
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  • Published: 2013-07-04
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  • Publisher: Routledge

First published in 2003. The Mediterranean region, which includes Turkey, the Middle East, and North Africa, along with Italy, Greece, Spain and other European countries, encompasses a plethora of diverse but also interconnected cultures. The musical styles are just as diverse. Mediterranean Mosaic weaves together issues of music contemporary geopolitics and identity struggles. Acknowledging the region's historical legacy, it examines the ebb and flow of traditional musics within the region as well as outside influences on these traditions. Topics covered include: Klapa singing and Cha Wave from Croatia, the pop group Alibina, Pop-Rai from Algeria, and jazz in the Mediterranean. Also includes 20 musical examples.

The Art of Persuasion
  • Language: en
  • Pages: 404

The Art of Persuasion

Publisher Description

Made in Italy
  • Language: en
  • Pages: 272

Made in Italy

  • Type: Book
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  • Published: 2013-10-30
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  • Publisher: Routledge

Provides comprehensive introduction to the history, sociology and musicology of 20th century Italian popular music Essays written by authors from a variety of backgrounds offer broad portrait of modern popular musical culture for readers new to Italian music

The Singer-Songwriter in Europe
  • Language: en
  • Pages: 254

The Singer-Songwriter in Europe

  • Type: Book
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  • Published: 2016-03-22
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  • Publisher: Routledge

The Singer-Songwriter in Europe is the first book to explore and compare the multifaceted discourses and practices of this figure within and across linguistic spaces in Europe and in dialogue with spaces beyond continental borders. The concept of the singer-songwriter is significant and much-debated for a variety of reasons. Many such musicians possess large and zealous followings, their output often esteemed politically and usually held up as the nearest popular music gets to high art, such facets often yielding sizeable economic benefits. Yet this figure, per se, has been the object of scant critical discussion, with individual practitioners celebrated for their isolated achievements inste...

The Cambridge Companion to Recorded Music
  • Language: en
  • Pages: 381

The Cambridge Companion to Recorded Music

Featuring fascinating accounts from practitioners, this Companion examines how developments in recording have transformed musical culture.

Paul Ginsborg and the Historiography of Modern Italy
  • Language: en
  • Pages: 314

Paul Ginsborg and the Historiography of Modern Italy

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The Last Forty Years of Italian Popular Culture
  • Language: en
  • Pages: 267

The Last Forty Years of Italian Popular Culture

What is Italian pop culture? This volume provides an answer to this question, offering an insight into some of the most recent and interesting developments in the field of pop culture. The reader will find essays on a variety of topics including literature, theater, music, social media, comics, politics, and even Christmas. Each contribution here places stress on the popular. The main reference points guiding the chapters are, in fact, the pioneering works by Antonio Gramsci and Umberto Eco. The result is, therefore, a portrait of a country where mass participation in cultural events always accompanies some form of reflection on the national identity and other related issues. Historians and sociologists, as well as musicologists and philosophers (in addition to pop culture aficionados), will find the text an engaging and indispensable read.

Empire of Song
  • Language: en
  • Pages: 338

Empire of Song

The Eurovision Song Contest (ESC) is more than a musical event that ostensibly “unites European people” through music. It is a spectacle: a performative event that allegorically represents the idea of “Europe.” Since its beginning in the Cold War era, the contest has functioned as a symbolic realm for the performance of European selves and the negotiation of European identities. Through the ESC, Europe is experienced, felt, and imagined in singing and dancing as the interplay of tropes of being local and/or European is enacted. In Empire of Song: Europe and Nation in the Eurovision Song Contest, contributors interpret the ESC as a musical “mediascape” and mega-event that has vari...

Humanitarianism in the Modern World
  • Language: en
  • Pages: 371

Humanitarianism in the Modern World

A fresh look at two centuries of humanitarian history through a moral economy approach focusing on appeals, allocation, and accounting.