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Avant-Garde, Internationalism, and Politics
DIVAn exploration of the impact of the 1960s and the U.S. post-cold war moment on the reception of Latin American art and artists./div
When I use a word, it means just what I choose it to mean-neither more nor less. Studies in honour of Stefania Nuccorini
Il volume raccoglie una serie di quattordici saggi da parte di studiosi italiani e stranieri – colleghe e colleghi, allieve di un tempo, amici – che hanno inteso così onorare la figura personale e professionale di Stefania Nuccorini, Professore Onorario dell’Università di Roma Tre, e autorevole studiosa di lingua e linguistica inglese. I saggi esplorano ambiti di ricerca in cui si è distinta l’operosità scientifica di Stefania Nuccorini, definita “Master of Words” dalle colleghe e amiche di Roma Tre. In primis, passato, presente e futuro della lessicografia, con saggi sui glossari anglosassoni (Faraci), note d’uso nella storia della lessicografia inglese (Bejoint), learners...
Towards a New World in Computer Communication
In the 90s, new languages and architectures were developed, new systems and networks were produced and new applications invented. The basic topics discussed are; High Speed Data Communications Protocols, Services and Networks for high speed data and for combined voice and data applications - i.e. ATM, SMDS, Frame Relay - Network Management, OSS Platforms, OSI and other information Technology Services, Network Control and Routing, Emergency Control and Telecommunication Politics. This publication offers the material basis for propagating the most advanced ideas, products, decisions and results of the 90s, and thereby it celebrates the advancements of Computer Communication on the route towards a new era.
The History of Futurism
Futurism began as an artistic and social movement in early twentieth-century Italy. Until now, much of the scholarship available in English has focused only on a single individual or art form. This volume seeks to present a more complete picture of the movement by exploring the history of the movement, the events leading up to the movement, and the lasting impact it has had as well as the individuals involved in it. The History of Futurism: The Precursors, Protagonists, and Legacies addresses the history and legacy of what is generally seen as the founding avante-garde movement of the twentieth century. Geert Buelens, Harald Hendrix, and Monica Jansen have brought together scholarship from an international team of specialists to explore the Futurism movement as a multidisciplinary movement mixing aesthetics, politics, and science with a particular focus on the literature of the movement.
International Futurism in Arts and Literature
This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.
Art International
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A Responsibility to the World: Saramago, Politics, Philosophy
In a 1987 interview, José Saramago eloquently expressed what could be considered his political-philosophical manifesto: “Human beings should not content themselves with the role of mere observers. They bear a responsibility to the world; they must actively engage and intervene.” In 1998 the celebrated writer was honoured with the Nobel Prize for Literature. So Saramago did not only as a human being and a citizen, but also as an artist refuse to be a passive observer. Despite his profound and always critical pessimism, he tirelessly propelled both his public and artistic persona toward impactful actions and interventions, showcasing an unwavering dedication to reshaping the world. This volume seeks to delve into this facet of his legacy, exploring it from diverse political and philosophical perspectives.
Toward a Linguistic and Literary Revision of Cultural Paradigms
This book draws an updated Euro-American conceptual map, starting from a limited number of strategic terms whose meanings today are judged univocal and permanent, while in fact daily use has turned them into “common sense”, depriving them of their ambiguity – an original feature of language, particularly relevant when it comes to literary use. By re-examining the proper noun for each of the selected notions, the contributors’ common intent is to shed light on their polysemous nature and linguistic fluidity, in spite of the common tendency towards simplification and homogeneity imposed by hegemonic cultural paradigms. Along this line, the book explores the great divides between identity and otherness (or common or alien) in order to recover a sense of cultural identity which is at once polymorphous and polyphonic.
The Great Migrator
Unlike other writers, who have viewed the export of American art during the 1950s and 1960s as another form of Cold War propagandizing (and famous American artists as cultural imperialists), Ikegami sees the global rise of American art as a cross-cultural phenomenon in which each art community Rauschenberg visited was searching in different ways for cultural and artistic identity in the midst of Americanization. Rauschenberg's travels and collaborations established a new kind of transnational network for the postwar art world---prefiguring the globalization of art before the era of globalization. --
