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Fernando Pessoa and Philosophy
This pioneering volume explores the extraordinary Portuguese poet Fernando Pessoa (1888–1935) and his relationship to philosophy. On the one hand, this book reveals Pessoa’s serious knowledge of philosophy and playful philosophical explorations and how he has the gift of synthesizing, appropriating, and subverting complex ideas into his art; and, on the other hand, the chapters shed new light on central aspects and problems of philosophy through the prism of Pessoa’s diverse writings. The volume includes sixteen new essays from an international group of scholars, analyzing Pessoa’s multifaceted poetic work alongside philosophical themes and movements, from conceptions of time, ancien...
Contemporanea
A groundbreaking, multidisciplinary collection that rethinks our present moment and anticipates the key concepts that will shape and direct the twenty-first century. Contemporanea is a nascent lexicon for the twenty-first century edited by seasoned philosophers and authors Michael Marder and Giovanbattista Tusa. The collection showcases perspectives from a range of noteworthy thinkers in philosophy, ecology, and cultural studies, as well as artists, from across the globe, including Slavoj Zizek, Timothy Morton, Denise Ferreira Da Silva, and Vandana Shiva, who each describe what they anticipate will be the concepts shaping the trajectory of this century—everything from the world state to th...
The End
The notion of ‘the end’ has long occupied philosophical thought. In light of the horrors of the twentieth century, some writers have gone so far as to declare the end of philosophy itself, emphasizing the impossibility of thinking after Auschwitz. In this book the distinguished philosopher Alain Badiou, in dialogue with Giovanbattista Tusa, argues that we must renounce ‘the pathos of completion’ and continue to think philosophically. To accept the atrocities of the twentieth century as marking the end of philosophy is intolerable precisely because it buys into the totalizing doctrines of the perpetrators. Badiou contends that philosophical thinking is needed now more than ever to counter the totalizing effects of globalized capitalism, which prescribes no objective for human life other than integration into its system, giving rise to a widespread sense of hopelessness and nihilism. This book will appeal to the many followers of Badiou’s work and to anyone interested in contemporary philosophy and radical political theory.
The End
The notion of ‘the end’ has long occupied philosophical thought. In light of the horrors of the twentieth century, some writers have gone so far as to declare the end of philosophy itself, emphasizing the impossibility of thinking after Auschwitz. In this book the distinguished philosopher Alain Badiou, in dialogue with Giovanbattista Tusa, argues that we must renounce ‘the pathos of completion’ and continue to think philosophically. To accept the atrocities of the twentieth century as marking the end of philosophy is intolerable precisely because it buys into the totalizing doctrines of the perpetrators. Badiou contends that philosophical thinking is needed now more than ever to counter the totalizing effects of globalized capitalism, which prescribes no objective for human life other than integration into its system, giving rise to a widespread sense of hopelessness and nihilism. This book will appeal to the many followers of Badiou’s work and to anyone interested in contemporary philosophy and radical political theory.
Pppp
One hundred years after the birth of Pier Paolo Pasolini, his oeuvre might best be described as "une pensée", as a meandering thought-provoking thought, to quote Jean-Luc Godard's exceptional comment on Pasolini in Histoire(s) du cinéma. Pasolini scholarship has certainly increased in recent years, but mainly from the perspective of Italian Studies and with a particular focus on his poetry, prose and film. The proposed volume instead highlights the interest of his work for the history of twentieth-century philosophy. It therefore compiles key writings by philosophers who are relatively unknown even within the context of contemporary French and Italian thought. By collecting little known or newly translated essays from these philosophers, the volume aims to foster a contemporary discussion about the (in-)actuality of Pasolini's work.
Metapolitics
"Metapolitics" Overview: Embark on a journey through the intersection of philosophy and politics with "Metapolitics." This comprehensive exploration delves into the foundational ideas that shape our understanding of governance, ideology, and societal change. Whether you are a student, professional, or enthusiast, this work will deepen your grasp of contemporary political thought, illuminating the vital role philosophy plays in shaping our political landscape. Chapters Brief Overviews: 1-Metapolitics: Discover how theory and politics converge to frame our understanding of governance. 2-Continental Philosophy: Analyze how continental philosophy influences modern political discourse. 3-Jacques ...
Dispositif
A ground-breaking anthology that places dispositifs (“apparatuses”) at the center of contemporary thought. Dispositif is one of the most prevalent yet elusive terms in contemporary thought. This comprehensive anthology brings together formative, seminal, and contemporary texts and visual applications to illuminate how central dispositifs are to contemporary theory. Greg Bird and Giovanbattista Tusa’s selection and placement of critical texts invite readers to explore common themes and genealogies, different interpretations and readings, and their diverse deployments across multiple disciplines and genres by such figures as Karl Marx, Franz Kafka, Judith Butler, Martin Heidegger, Gilber...
Virtual Subjects, Fugitive Selves
This book explores philosophical themes to do with self and subjectivity from the work of the Portuguese writer Fernando Pessoa, best known for the uncategorizable collection of fragmentary writings, in various personae, published as The Book of Disquiet in 1982, forty-seven years after the author's death.
Art as Capital
In global terms, creative industries are on the rise, as are new media investigations in art and initiatives that encourage innovation in the arts, for end-use in the economy. However, there is a significant lack of critical reflection on this form of creative production. This important book points out the dangers and downfalls that accompany such a boom of the creative industries and the subordination of art to the economy and politics. Specifically, it shows that art, as a mode of social and aesthetic practice, is losing the very thing which it has striven for so desperately in the course of modernity: its independence from other spheres of human activity.
