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Trepanation, Trephining and Craniotomy
This book takes readers on a journey around the world and through time, accompanied by a modern neurosurgeon who reviews historical techniques and instruments used for cranial opening. The author draws on original medical and surgical books to provide a comprehensive history of these techniques and tools. To complement the general overview and offer readers a more ‘hands-on’ sense of context and atmosphere, extensive historical references, stories, media news and illustrative cases have been included for each historical and geographical scenario. In addition, original illustrations and plates of these archaic instruments and techniques are supplied. Neurosurgical surgeons, nurses, technicians, medical historiographers, paleo-pathologists and researchers interested in surgical techniques for cranial opening will find the volume a valuable guide, intended to increase the historical and cultural awareness of this core topic in neurological surgery.
Counter-Reformation Sanctity in Global and Material Perspective
This book explores the making of saints’ cults in the early modern world from an interdisciplinary perspective, considering the entangled roles of materiality and globalization processes. It brings together work across diverse media, objects, and materials as well as communities, cultures, and geographies to reframe a more synoptic, materials-centric, and comparative history of the making and remaking of saints’ cults, with a special focus on the long Counter-Reformation. The contributions engage with dynamics of local and universal and draw attention to the vital role of textual, visual, and material hagiographies in the creation and promotion of saints’ and would-be saints’ cults. The book fosters novel conceptualizations and cross-pollination of ideas across traditions, regions, and disciplines and expands hagiography’s horizons by reconsidering canonical saintly figures and reframing lesser-known cults of saints and would-be saints. The book will be of interest to scholars of religious and early modern history as well as art history and visual and material studies.
Principles of Neurological Surgery E-Book
Perfect for anyone considering or training in this challenging specialty, Principles of Neurological Surgery, 4th Edition, by Drs. Richard G. Ellenbogen, Laligam N. Sekhar, and Neil Kitchen, provides a clear, superbly illustrated introduction to all aspects of neurosurgery–from general principles to specific techniques. Thorough updates from leading authors ensure that you'll stay abreast of the latest advances in every area of neurosurgery, including pre- and post-operative patient care, neuroradiology, pediatric neurosurgery, neurovascular surgery, trauma surgery, spine surgery, oncology, pituitary adenomas, cranial base neurosurgery, image-guided neurosurgery, treatment of pain, epileps...
The Body as Object and Instrument of Knowledge
It was in 1660s England, according to the received view, in the Royal Society of London, that science acquired the form of empirical enquiry we recognize as our own: an open, collaborative experimental practice, mediated by specially-designed instruments, supported by civil discourse, stressing accuracy and replicability. Guided by the philosophy of Francis Bacon, by Protestant ideas of this worldly benevolence, by gentlemanly codes of decorum and by a dominant interest in mechanics and the mechanical structure of the universe, the members of the Royal Society created a novel experimental practice that superseded former modes of empirical inquiry, from Aristotelian observations to alchemical...
The Prince’s Body
Defining the proper female body, seeking elective surgery for beauty, enjoying lavish spa treatments, and combating impotence might seem like today’s celebrity infatuations. However, these preoccupations were very much alive in the early modern period. Valeria Finucci recounts the story of a well-known patron of arts and music in Renaissance Italy, Duke Vincenzo Gonzaga of Mantua (1562–1612), to examine the culture, fears, and captivations of his times. Using four notorious moments in Vincenzo’s life, Finucci explores changing concepts of sexuality, reproduction, beauty, and aging. The first was Vincenzo’s inability to consummate his earliest marriage and subsequent medical inquiry, ...
Early Modern Medicine and Natural Philosophy
This volume presents an innovative look at early modern medicine and natural philosophy as historically interrelated developments. The individual chapters chart this interrelation in a variety of contexts, from the Humanists who drew on Hippocrates, Galen, and Aristotle to answer philosophical and medical questions, to medical debates on the limits and power of mechanism, and on to eighteenth-century controversies over medical materialism and 'atheism.' The work presented here broadens our understanding of both philosophy and medicine in this period by illustrating the ways these disciplines were in deep theoretical and methodological dialogue and by demonstrating the importance of this dialogue for understanding their history. Taken together, these papers argue that to overlook the medical context of natural philosophy and the philosophical context of medicine is to overlook fundamentally important aspects of these intellectual endeavors.
A History of Plastic Surgery
This book covers the history of plastic surgery from the remarkable achievements of such ancient civilizations as India and Egypt up to the revolutionary techniques developed at the end of the Middle Age, the Renaissance and beyond. Coverage details how the knowledge of wound healing has changed and influenced plastic surgery, describes the development of various surgical reconstructive procedures and details the birth of Cosmetic Surgery.
Voice Machines
An exploration of the castrato as a critical provocation to explore the relationships between sound, music, voice instrument, and machine. Italian courts and churches began employing castrato singers in the late sixteenth century. By the eighteenth century, the singers occupied a celebrity status on the operatic stage. Constructed through surgical alteration and further modified by rigorous training, castrati inhabited human bodies that had been “mechanized” to produce sounds in ways that unmechanized bodies could not. The voices of these technologically enhanced singers, with their unique timbre, range, and strength, contributed to a dramatic expansion of musical vocabulary and prompted...
