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In Ancient Marbles in Naples in the Eighteenth Century Eloisa Dodero aims at documenting the history of numerous private collections formed in Naples during the 18th century, with particular concern for the “Neapolitan marbles” and the circumstances of their dispersal. Research has thus made it possible to formulate a synthesis of the collecting dynamics of Naples in the 18th century, to define the interest of the great European collectors, especially British, in the antiquities of the city and its territory and to draw up a catalogue which for the first time brings together the nucleus of sculptures reported in the Neapolitan collections or coming from irregular excavations, most of which shared the destiny of dispersal, in some cases here traced in definitive fashion.
A Companion to the Renaissance in Southern Italy offers readers unfamiliar with Southern Italy an introduction to different aspects of the fifteenth- and sixteenth-century history and culture of this vast and significant area of Europe, situated at the center of the Mediterranean. Commonly regarded as a backward, rural region untouched by the Italian Renaissance, the essays in this volume paint a rather different picture. The expert-written contributions present a general survey of the most recent research on the centers of southern Italy, as well as insight into the ground-breaking debates on wider themes, such as the definition of the city, continuity and discontinuity at the turn of the s...
Naples was one of the largest cities in early modern Europe, and for about two centuries the largest city in the global empire ruled by the kings of Spain. Its crowded and noisy streets, the height of its buildings, the number and wealth of its churches and palaces, the celebrated natural beauty of its location, the many antiquities scattered in its environs, the fiery volcano looming over it, the drama of its people’s devotions, the size and liveliness - to put it mildly - of its plebs, all made Naples renowned and at times notorious across Europe. The new essays in this volume aim to introduce this important, fascinating, and bewildering city to readers unfamiliar with its history. Contr...
"In the heart of her book Hallman performs an amazing feat: patiently tracing the acquisition, trading, subdividing, leasing, and renting of pieces of property that also happened in most cases to carry with them the cure of souls. She does so without losing the reader in a mass of detail by combining quantitative generalizations with examination of aptly chosen individual cases. . . . In short, she demonstrates that the sixteenth-century Italian Church, to alter slightly the epithet used by Ginzburg's Menocchio, was increasingly "a prelates' business." This is a very important book. Not only will it serve those scholars in various disciplines who wich to trace the patronage networks of individual Italian cardinals. As I have indicated, it will also stimulate those interested in reformulating existing paradigms and periodization schemes in early modern European history." --Anne Jacobson Schutte, Lawrence University, in Renaissance Quarterly, Volume 40, Number 2, Summer, 1987.
As has been well documented, the printed word was an essential vehicle for the transmission of reformed theology, and one that has left a tangible record for historians to explore. Yet as contemporaries well recognized, books were only a part of the process. It was the spoken word – and especially preaching – that created the demand for printed works. Sermons were the plough that prepared the ground for Lutheran literature to flourish. In order to better understand the relationship between oral sermons and the spread of protestant ideas, Preaching and Inquisition in Renaissance Italy draws upon the records of the Roman Inquisition to see how that institution confronted the challenges of reform on the Italian peninsula in the sixteenth century. At the heart of its subject matter is the increasingly sophisticated rhetorical skill of heterodox preachers at the time, who achieved their ends by silence and omission rather than positive affirmations of Lutheran tenets.
The first of a series of volumes on the Hospitaller Knights of Saint John, this volume covers the period 13061522. The Hospitaller Knights had developed during the Crusades from a monastic order providing hostels for Christian pilgrims visiting the Holy Land. The need to provide armed escorts to these pilgrims brought about their evolution into a Military Order. An elite component of Crusader armies, Hospitallers were involved in most large-scale Christian-Saracen engagements following the First Crusade. Taking to the sea, the Hospitallers became a major naval power in the Mediterranean. The author draws on the work of the Orders official historians, Giacomo Bosio and his successor Barto...
2011 Winner of the Phyllis Goodhart Gordan Book Prize of the Renaissance Society of America Naples in the sixteenth and seventeenth centuries managed to maintain a distinct social character while under Spanish rule. John A. Marino's study explores how the population of the city of Naples constructed their identity in the face of Spanish domination. As Western Europe’s largest city, early modern Naples was a world unto itself. Its politics were decentralized and its neighborhoods diverse. Clergy, nobles, and commoners struggled to assert political and cultural power. Looking at these three groups, Marino unravels their complex interplay to show how such civic rituals as parades and festival...
In Living under the Evil Pope, Martina Mampieri presents the Hebrew Chronicle of Pope Paul IV, written in the second half of the sixteenth century by the Italian Jewish moneylender Benjamin Neḥemiah ben Elnathan (alias Guglielmo di Diodato) from Civitanova Marche. The text remained in manuscript for about four centuries until the Galician scholar Isaiah Sonne (1887-1960) published a Hebrew annotated edition of the chronicle in the 1930s. This remarkable source offers an account of the events of the Papal States during Paul IV’s pontificate (1555-59). Making use of broad archival materials, Martina Mampieri reflects on the nature of this work, its historical background, and contents, prov...
A compelling new study of instrumental music in early modern Naples and of the string virtuosi who disseminated it through Europe.
This book presents a new perspective on the Italian Renaissance court by examining the circulation, collection and exchange of art objects.