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Leven en werk van de Italiaanse Venetiaanse schilder (1430-1516)
An accessible guide to the foremost figure in Venetian Renaissance painting, tracing Bellini's personal artistic development within historical context Italian Renaissance artist Giovanni Bellini (c. 1435/40-1516) is considered the most important practitioner of Venetian painting in the latter half of the 15th century. Born into a family of painters, Bellini began studying art at a young age, painting primarily in the prevailing Gothic style of the early Renaissance. As time passed and he evolved as an artist, Bellini's wide-reaching influence came to inform the maniera modernainherited by Giorgione and Titian. His unparalleled ability to both harness the expressive power of light and recreat...
Praised by Albrecht Dürer as being “the best in painting,” Giovanni Bellini (ca. 1430– 1516) is unquestionably the supreme Venetian painter of the quattrocento and one of the greatest Italian artists of all time. His landscapes assume a prominence unseen in Western art since classical antiquity. Drawing from a selection of masterpieces that span Bellini's long and successful career, this exhibition catalogue focuses on the main function of landscape in his oeuvre: to enhance the meditational nature of paintings intended for the private devotion of intellectually sophisticated, elite patrons. The subtle doctrinal content of Bellini’s work—the isolated crucifix in a landscape, the ...
Presents a survey of sixty Venetian Renaissance paintings of the calibre of Bellini and Titian's "Feast of the Gods" in Washington and Giorgione's "Laura and Three Philosophers" in Vienna.
Washington Press. Annotation 2004 Book News, Inc., Portland, OR (booknews.com).
Widely recognized as one of the greatest painters of the Italian Renaissance, Giovanni Bellini is revered for his mastery of color, atmosphere and light. However, his early life and career remain something of a mystery. Daniel Wallace Maze expands on groundbreaking research that argues Jacopo Bellini was not Giovanni Bellini's father, but rather his half-brother, and that Giovanni was born between 1424-26, up to fifteen years earlier than current scholars' estimates. In light of this, Young Bellini explores the artist's early life, including his birth, his unusual upbringing in Venice, and his first-known works of art. Presenting a clear narrative of his early career, and offering a number of newly attributed paintings, Maze provides answers to longstanding questions about Bellini, and poses new questions that will frame future research on the artist's contribution to the Renaissance.
Giovanni Bellini (d. 1516) boasts a long career that left an indelible mark on Venetian painting. Vasari and other early writers failed to distinguish Bellini's late works from the rest of his output. Focused on Titian as the quintessential "old age" artist, subsequent writers have also paid little attention to Bellini's late work as a separate phase of his career. Bellini did not choose the subjects of his last pictures, which were stipulated by his patrons, but instead relied more and more on assistants; his decision to undertake and personally conceive and execute them points to a special commitment on his part to their creation. The Feast of the Gods (National Gallery of Art, Washington,...
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Giovanni Bellini (ca. 1435–1516), widely considered the greatest Venetian artist of his time, was born into the most influential artistic family in Venice. He received his training in the studio of his father, Jacopo, along with his brother, Gentile, and through a long and fruitful career played a leading role in defining the Renaissance style in Venice. His workshop, one of the most important of the period, counted Giorgione and Titian among its pupils. The first account of his life, by Giorgio Vasari, also portrays the family artistic enterprise; it appeared in Vasari’s seminal Lives of the Most Excellent Painters, Sculptors and Architects, published in 1550 and revised and expanded in...