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Visualizing Sufism
Visualizing Sufism approaches the question of the presence of graphic materials in Islamic mystical literature from a broad and comprehensive perspective. To this goal, an international group of specialists in the field worked on largely manuscript and unpublished sources with the aim of analyzing the use of visual elements in the works of some key figures of Islamic mysticism—Ibn al-ʿArabī, Aḥmad al-Būnī, Saʿd al-Dīn Ḥamūyeh, al-Shaʿrānī—, and in intellectual networks—Ḥurūfiyya and Bektashiyya, Shīrīn Maghribī and his connections. The result is the most extensive collection of specimens of Sufi graphic materials ever brought together and discussed in a single volume. By virtue of the object of study investigated in the chapters of this book, in addition to the history of Sufism, questions are raised that touch upon numerous areas in the field of Islamic Studies, including intellectual history, codicology, and art history. Contributors Elizabeth R. Alexandrin, Noah Gardiner, Ali Karjoo-Ravary, Evyn Kropf, Giovanni Maria Martini, Orkhan Mir-Kasimov, and Sophie Tyser.
‘Alā’ al-Dawla al-Simnānī Between Spiritual Authority and Political Power: A Persian Lord and Intellectual in the Heart of the Ilkhanate
In ʿAlāʾ al-Dawla al-Simnānī Between Spiritual Authority and Political Power: A Persian Lord and Intellectual in the Heart of the Ilkhanate, Giovanni Maria Martini investigates the personality of a major figure in the socio-political and cultural landscape of Mongol Iran.
'Alā' Al-Dawla Al-Simnānī Between Spiritual Authority and Political Power
In ʿAlāʾ al-Dawla al-Simnānī between Spiritual Authority and Political Power: A Persian Lord and Intellectual in the Heart of the Ilkhanate, Giovanni Maria Martini investigates the personality of a major figure in the socio-political and cultural landscape of Mongol Iran. In pursuing this objective, the author follows parallel paths: Chapter 1 provides the most updated reconstruction of Simnānī's (d. 736/1336) biography, which, thanks to its unique features, emerges as a cross-section of Iranian society and as a microhistory of the complex relationships between a Sufi master, Persian elites and Mongol rulers during the Ilkhanid period; Chapter 2 contains a study on the phenomenon of Arabic-Persian diglossia in Simnānī's written work, arguing for its socio-religious function; in Chapters 3 to 6 the critical editions of two important, interrelated treatises by Simnānī are presented; finally, Chapter 7 offers the first full-length annotated translation of a long work by Simnānī ever to appear in a Western language.
The Qur’an in Rome
Despite its relevance to the subsequent development of Western Islamic studies, the intellectual contribution of early modern Catholicism is still an under-researched area. The aim of this volume is to fill this gap, offering a series of essays dealing with the study of the Qur’an and Arabic language in early modern Catholic Europe. Focusing on the circulation of manuscripts, translations and printed books, the essays highlight how Catholic Orientalism contributed to the birth and spread of Western Islamic studies, although sometimes it was still directed towards religious polemics. Among the protagonists of this period of Islamic studies, the volume will focus on Catholic priests, mission...
The Qur’an: A Guidebook
The Qur’an: A Guidebook is an updated English version of the work appeared in Italian (Rome 2021) Leggere e studiare il Corano which deals with the contents of the Qur’an, the style and formal features of the text, the history and fixation of it and an poutline of the reception in Islamic literature. The aim of the work is to give a reader a description of what he/she can find in the Islamic holy text and the state of the critical debates on all the topics dealt with, focusing mainly on the growing scholarly literature which appeared in the last 30 years. As such, the work is unique in combining the aim to give comprehensive information on the topic and, at the same, time, reconstruct the critical debate in a balanced outline also emphasizing confessional approaches and the dynamics in the study of the Qur’an. There is nothing similar in contemporary scholarship and the book is a handbook for students and scholars of Islam but also for readers in religious studies who need to know how the main questions related to the Islamic text have been discussed in recent scholarship.
Digital Wood Design
This book explores various digital representation strategies that could change the future of wooden architectures by blending tradition and innovation. Composed of 61 chapters, written by 153 authors hailing from 5 continents, 24 countries and 69 research centers, it addresses advanced digital modeling, with a particular focus on solutions involving generative models and dynamic value, inherent to the relation between knowing how to draw and how to build. Thanks to the potential of computing, areas like parametric design and digital manufacturing are opening exciting new avenues for the future of construction. The book’s chapters are divided into five sections that connect digital wood design to integrated approaches and generative design; to model synthesis and morphological comprehension; to lessons learned from nature and material explorations; to constructive wisdom and implementation-related challenges; and to parametric transfigurations and morphological optimizations.
Sculpting the Self
Sculpting the Self addresses “what it means to be human” in a secular, post-Enlightenment world by exploring notions of self and subjectivity in Islamic and non-Islamic philosophical and mystical thought. Alongside detailed analyses of three major Islamic thinkers (Mullā Ṣadrā, Shāh Walī Allāh, and Muhammad Iqbal), this study also situates their writings on selfhood within the wider constellation of related discussions in late modern and contemporary thought, engaging the seminal theoretical insights on the self by William James, Jean-Paul Sartre, and Michel Foucault. This allows the book to develop its inquiry within a spectrum theory of selfhood, incorporating bio-physiological,...
Beholding Beauty
In Beholding Beauty: Saʿdi of Shiraz and the Aesthetics of Desire in Medieval Persian Poetry, Domenico Ingenito explores the unstudied connections between eroticism, spirituality, and politics in the lyric poetry of 13th-century literary master Sa‘di Shirazi.
From the Khan's Oven
Spanning the history of Islamic Central Asia from medieval to modern times, this volume features groundbreaking studies of the region’s religious life and culture by leading scholars in the field.
