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The most comprehensive collection in English of the founder of modern Italian poetry Giovanni Pascoli (1855–1912)—the founder of modern Italian poetry and one of Italy's most beloved poets—has been compared to Robert Frost for his evocation of natural speech, his bucolic settings, and the way he bridges poetic tradition and the beginnings of modernism. Featuring verse from throughout his career, and with the original Italian on facing pages, Selected Poems of Giovanni Pascoli is a comprehensive and authoritative collection of a fascinating and major literary figure. Reading this poet of nature, grief, and small-town life is like traveling through Italy's landscapes in his footsteps—f...
Giovanni Pascoli (b. at San Mauro Romagna, December 31, 1855, d. at Barga April 6, 1912) was a classical scholar and one of the greatest European poets of his times.The work of Giovanni Pascoli is considered the beginning of modern Italian poetry.Amidst the thick fog, in the rough seas and the rugged shores of a country divided by historic, cultural, and linguistic barriers, Pascoli become the lighthouse to point to, in order to find a common language and a way to unity.In appearance, he often simply spoke of "little things:" bucolic scenes, small images of nature, peasants and their everyday chores; even animals, birds, plants, and flowers with mystical names found their cozy spot under the beaming sun of Pascoli's marvelous pen.
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Pascoli stands in the doorway. He is both a last romantic and Italy's first modern poet. Beloved for his poems of family and the nest, he is also one of the first voices of modern depth psychology. Steeped in the Italian landscape and drawn into the spell of little creatures, he catches the natural world with scientific accuracy, becoming one of our earliest ecological poets. A revolutionary who writes with emotion about the rural poor, he also reports on the first wave of Italian immigrants to the new world. This collection assembles Giovanni Pascoli's central and prophetic study of the imagination, O Little One, an extensive selection of poems delineating his long career, and a late and previously untranslated essay on the poetry of dead languages. The translator's introduction examines Pascoli's place as a liminal figure, situated at the conjunction of multiple worlds, casting a visionary light on whatever he beholds.
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This first appearance of Pascoli s poems in English translation provides an introduction to his work for the English-speaking reader. The first section of the book includes some of Pascoli s brief lyric poems, many of them displaying his innovative use of image narrative. We see scenes of country life in his village near Barga, Italy, in the Apuan Alps, at the end of the 19th century. We see the aurora borealis, chickens, donkeys, women hanging laundry, the new railway and men crushing wheat. The second part of the book consists of three somewhat formal narrative poems set in classical Rome and Greece. The book ends with a long narrative sequence, an exciting and poignant re-imagining of Odysseus famous tale told from the perspective of an old man. The aging hero falls asleep by the fire with Penelope and dreams a final voyage, in which he reassembles his old crew and visits the scenes of his earlier adventures: Circe, the Sirens, the Cyclops, Lotus Eaters and Calypso. "
Publisher description
This book focuses on the notion of desire in late-nineteenth-century Italy, and how this notion shapes the life and works of two of Italy’s most prominent authors at that time, Giovanni Pascoli and Gabriele D’Annunzio. In the fin de siècle, the philosophical speculation on desire, inspired by Arthur Schopenhauer and Friedrich Nietzsche intersected the popularization of Charles Darwin’s theory of evolution. Within this context, desire is conceptualized as an obscure force and remnant of mankind’s animalistic origins. Both Pascoli and D’Annunzio put into play the drama of desire as a force splitting the unity of the characters in their works, and variously attempt to provide solutions to this haunting force within the human self.
Poetry. Italian Studies. Translated by Geoffrey Brock. An essential new translation of one of Italian literature's most celebrated poets. Giovanni Pascoli stands as a towering figure at the threshold of modern Italian poetry, yet he is little known in English. He wrote his best poems in the last decade of the nineteenth century and the first few years of the twentieth, in an extraordinary burst that included his three most important collections, Myricae, Canti di Castelvecchio, and Primi poemetti. In this volume, translator Geoffrey Brock offers a personal anthology that conveys the wide-eyed spirit and formal beauty of the originals. "This collection is a revelation. In Geoffrey Brock's imp...