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Reprint of the original, first published in 1872.
"Many famous artworks of the Italian Renaissance were made to celebrate love, marriage, and family. They were the pinnacles of a tradition, dating from early in the era, of commemorating betrothals, marriages, and the birth of children by commissioning extraordinary objects - maiolica, glassware, jewels, textiles, paintings - that were often also exchanged as gifts. This volume is the first comprehensive survey of artworks arising from Renaissance rituals of love and marriage and makes a major contribution to our understanding of Renaissance art in its broader cultural context. The impressive range of works gathered in these pages extends from birth trays painted in the early fifteenth century to large canvases on mythological themes that Titian painted in the mid-1500s. Each work of art would have been recognized by contemporary viewers for its prescribed function within the private, domestic domain."--BOOK JACKET.
Lucretia Borgia, Pope Alexander VI's daughter, became famous in history as the infamous Countess of Pesaro and Duchess of Ferrara, who hosted parties to poison her father's and her brother Cesare's enemies. On the contrary, they used her to cover their own crimes and to bring allies to the Church through her marriages. Even history can be falsified when brought down to the level of Court's gossip or Vatican's intrigues.
This myth-busting biography reveals the fascinating true lives of Renaissance Italy’s most infamous brother and sister. Salacious rumors have shrouded the Borgia family for centuries. In particular, tales of murder and incest have stuck to the names of Cesare and Lucrezia. But in this enlightening biography, Samantha Morris separates fact from fiction, presenting these two fascinating individuals from their early lives, through their years at the Vatican and their untimely deaths. Morris begins her narrative in the bustling metropolis of Rome, where the siblings were caught up in the dynastic plans of their father, Pope Alexander VI. Though they were not the villains depicted in popular media, their intertwined lives were full of ambition, intrigue, and danger. Drawing on both primary and secondary sources, Morris follows Cesare through his cardinalship and military career, and Lucrezia through her multiple arranged marriages and her rule over Spoleto.