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A comprehensive guide to the theory, practice and applications of optical tweezers, combining state-of-the-art research with a strong pedagogic approach.
Modern conservatism was born in the crisis of the French Revolution that sought to overturn Christianity, monarchy, tradition, and a trust in experience rather than reason. In the name of reason and progress, the French Revolution led to the guillotine, the dictatorship of Napoleon Bonaparte, and a decade of continental war. Today Western Civilization is again in crisis, with an ever-widening progressive campaign against religion, tradition, and ordered liberty; Francesco Giubilei's cogent reassessment of some of conservatism's greatest thinkers could not be timelier. Within these pages, English-speaking readers will come across some familiar names: Burke, Disraeli, Chesterton, and Scruton. ...
This book deals with the most fundamental and essential techniques to simulate complex systems, from the dynamics of molecules to the spreading of diseases, from optimization using ant colonies to the simulation of the Game of Life.
With warmth and humor, tuba virtuoso Harvey Phillips tells the story of his amazing life and career from his Missouri childhood through his days as a performer with the King Brothers and the Ringling Bros. and Barnum & Bailey circuses, his training at the Juilliard School, a stint with the US Army Field Band, and his freelance days with the New York City Opera and Ballet. A founder of the New York Brass Quintet, Phillips served as vice president of the New England Conservatory of Music and became Distinguished Professor of Music at Indiana University. The creator of an industry of TubaChristmases, Octubafests, and TubaSantas, he crusaded for recognition of the tuba as a serious musical instrument, commissioning more than 200 works. Enhanced by an extensive gallery of photographs, Mr. Tuba conveys Phillips's playful zest for life while documenting his important musical legacy.
Explores the impact of fascism, communism, and totalitarianism on modern Italy, through the prism of a single family.
This book describes the establishment, evolution, and international links of the extreme right in one of the main Western European areas. Andrea Mammone details the long journey in the development of right-wing extremism in France and Italy, emphasizing the transfer, exchange, and borrowing of ideals, personnel, and strategies, and the similarities among neofascist movements, activists, and thinkers across national boundaries from 1945 to the present day - including the Cold War years, the election of the European Parliament in 1979, and the 2014 EU elections. Mammone analyzes the adaptation of neofascism in society and politics; the building of international associations and pan-national networks; and the right-leaning responses to the defeat of fascism, European integration, decolonization, the events of 1968, immigration, and the recent EU-led austerity politics. As a book implicitly on space, borders, and belonging, it shows how some nationalisms may embody a transnational dimension and, at times, even pan-European stances.
In stark contrast to the rather modest performance of its large surface fleet in the Second World War, the Italian Navy’s smallest units achieved its most spectacular successes. It made a specialty of unconventional methods of attack – explosive motor boats, human torpedoes and miniature submarines – that were employed with ingenuity and daring to surprise, discomfort and baffle the enemy. In December 1941 the whole balance of the naval war in the Mediterranean was altered by six frogmen riding three of the SLC craft they called maiale (‘pigs’) who penetrated Alexandria harbor to cripple the battleships Valiant and Queen Elizabeth, surely one of the most impressive ratios of result...
These ten essays by John Van Engen situate religion in the history of medieval Western Europe: as an unavoidable presence in everyday life, as a conceptual framework for social and political life, as a force integral to its historical dynamics. Four of the essays are bibliographical and retrospective in nature, reviewing the field broadly, but also pointing toward a more dialectical approach to understanding the interaction of religion and society in the European middle ages. Other studies deal with large topics usually subsumed under the abstract term 'Christianization'. They grapple with learned sources as well as those associated with 'popular' religion, and show what can be gained from an imaginative use of all that lawyers and theologians said about religion in their society. The essays, finally, look for the quality and dynamic of change, even inventiveness, released by religious action and conviction in medieval European society.
"This study considers Italian filmmaking during the Fascist era and offers an original and revealing approach to the interwar years. Steven Ricci directly confronts a long-standing dilemma faced by cultural historians: while made during a period of totalitarian government, these films are neither propagandistic nor openly "Fascist." Instead, the Italian Fascist regime attempted to build ideological consensus by erasing markers of class and regional difference and by circulating terms for an imaginary national identity. Cinema and Fascism investigates the complex relationship between the totalitarian regime and Italian cinema. It looks at the films themselves, the industry, and the role of cinema in daily life, and offers new insights into this important but neglected period in cinema history." -- Book cover.
A master historian illuminates the tumultuous relationship of Il Duce and his young lover Claretta, whose extraordinarily intimate diaries only recently have become available Few deaths are as gruesome and infamous as those of Benito Mussolini, Italy’s fascist dictator, and Claretta (or Clara) Petacci, his much-younger lover. Shot dead by Italian partisans after attempting to flee the country in 1945, the couple’s bodies were then hanged upside down in Milan’s main square in ignominious public display. This provocative book is the first to mine Clara’s extensive diaries, family correspondence, and other sources to discover how the last in Mussolini’s long line of lovers became his intimate and how she came to her violent fate at his side. R. J. B. Bosworth explores the social climbing of Claretta’s family, her naïve and self-interested commitment to fascism, her diary’s graphically detailed accounts of sexual life with Mussolini, and much more. Brimful of new and arresting information, the book sheds intimate light not only on an ordinary-extraordinary woman living at the heart of Italy’s totalitarian fascist state but also on Mussolini himself.