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A Yakshagana folk theatre piece, combining music, dance and drama. Two young heroes, Devadatta, a man of the intellect, and Kapila, a man of the body, are both attracted to Padmini, who marries Devadatta. When the rivalry threatens their friendship each man commits suicide by cutting off his own head. Through the intervention of the goddess Kali the men are brought back to life but Padmini accidently mixes the heads up, attaching them to the wrong bodies. A subplot fleshes out the theme of the search for completeness: Hayavadana wants to lose his horse's head and become fully human.
Girish Karnad was one of modern India's greatest cultural figures: an accomplished actor, a path-breaking director, an innovative administrator, a clear-headed and erudite thinker, a public intellectual with an unwavering moral compass, and above all, the most extraordinarily gifted playwright of his times. This Life at Play, translated from the Kannada in part by Karnad himself and in part by Srinath Perur, covers the first half of his remarkable life - from his childhood in Sirsi and his early engagement with local theatre, his education in Dharwad, Bombay and Oxford, to his career in publishing, his successes and travails in the film industry, and his personal and writerly life. Moving and humorous, insightful and candid, these memoirs provide an unforgettable glimpse into the life-shaping experiences of a towering genius, and a unique window into the India in which he lived and worked.
This play by one of India's foremost playwrights and actors is based on a story from the Mahabharata which tellingly illuminates universal themes - alienation, loneliness, love, family, hatred - through the daily lives and concerns of a whole community of individuals.
This Book Critically Examines Various Themes Viz.Humanism, Identity, Crisis, Literary Genetics, Condensation And Desire For Recognition In The Plays Of Girish Karnad, With A Focus On His Most Representative Play `Hayavadana`.
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Girish Karnad is one of India's foremost dramatists and actors. This play, first staged at the Leicester Haymarket Theatre, is based on a tenth-century Jain myth about a king who finds his queen involved with an elephant-keeper.
This book offers critical and systematic understanding in terms of culture, tradition, relationship, condition of women, search for completeness of his 9 renowned plays for the students of B.A, M.A, Ph.d, and UGC NET, providing dynamic analysis of his writings which both reflect and challenge the periods in which they were produced.
Wedding Album, the latest play written by renowned playwright Girish Karnad, is a hilarious and moving spectacle on the India that we live in today. By presenting the seemingly paradoxical situation of a 'traditional' marriage in a 'modern' Indian, middle-class family, Karnad reveals how particular notions of wealth, well-being, sexual propriety, tradition, and modernity form the basis of middle-class society in contemporary India.
Muhammad Bin Tughlaq, who ruled from Delhi in the fourteenth century, was a well-read scholar of the arts, theology, and philosophy. He was a mystic, as well as a poet - but also impatient, cruel and dogmatic. One of Delhi's most intelligent rulers ever, within twenty years he became one of its greatest failures. Karnad explores the "madness" that earned him the epithet "Mad Muhammad". Commentators (and Karnad himself) draw parallels with the mood of India in the 1960s, moving from the idealism of the early Nehru era to political disillusionment.