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Inspired by a vacation to the Austrian Alps, Elinor M. Brent-Dyer wrote The School at the Chalet, launching a series that would span more than 60 books. The series follows the adventures of a boarding school set in the picturesque Swiss Alps. The series begins with The School at the Chalet (1925), where readers are introduced to Miss Madge Bettany, a young woman who decides to start a school for girls in the Swiss mountains. The series then chronicles the growth and evolution of the school, as well as the trials and triumphs of its students.
A girl rallies her community in obtaining materials to finish construction on a beautiful ship that, due to lack of funds, is slated to be destroyed.
Pretty, clever and popular, Ginty has every desirable quality except the power to stand on her own feet.
This book will be of interest to students of both children’s literature and gender studies. It re-examines a period long considered to be of poor quality as regards children’s books. It explores a range of themes, such as female agency, power and courage, and additionally gives a linguistic analysis of selected texts. The book adopts a socio-cultural approach, placing the authors in their historical context. By focusing on a small number of authors in depth, it discovers subtleties perhaps ignored by a broad-brush approach. While reflecting their era in some respects, these writers also demonstrated individuality in their representation of gender, offering a wider range of models to their readers than previous critics have acknowledged.
November 2012 saw the joint annual conference of the British branch of the International Board on Books for Young People (IBBY UK) and the MA course at the National Centre for Research in Children’s Literature (NCRCL) at Roehampton University. The theme of the conference was the investigation of aspects of literature for children that were ‘Beyond the Book’. From woodcuts to e-books, children’s literature has always lent itself to reinterpretation and expansion. In its early days, this was achieved through different forms of retelling, through illustration and interactive illustration (pop-ups and flaps), and then through music, film, television and stage adaptation. The contributors...
Left Out presents an alternative and corrective history of writing for children in the first half of the twentieth century. Between 1910 and 1949 a number of British publishers, writers, and illustrators included children's literature in their efforts to make Britain a progressive, egalitarian, and modern society. Some came from privileged backgrounds, others from the poorest parts of the poorest cities in the land; some belonged to the metropolitan intelligentsia or bohemia, others were working-class autodidacts, but all sought to use writing for children and young people to create activists, visionaries, and leaders among the rising generation.Together, they produced a significant number o...