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Dürer and Beyond
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.
Art and Politics in Early Modern Germany: Jörg Breu the Elder and the Fashioning of Political Identity, ca. 1475-1536
An exploration of the interaction between art and politics in early modern Germany, this work focuses on art, political in content, produced by the Augsburg artist Jörg Breu the Elder during the second and third decodes of the sixteenth century. The book argues for the function of the art as fashioning political identities. The artist Jörg Breu is first introduced. His work for the city of Augsburg and for Habsburg and Wittelsbach rulers are examined. These works are placed within their historical context and analyzed according to how they articulate themes of warfare, ceremony, and history in order to construct political identity. The analysis of Breu's city chronicle and of the response of his art to political contest is particularly useful for historians of art and of politics.
Honeytazia
David Goldberg's fiancee is killed at the WTC. He swears revenge, years later, as a physics prof at Princeton, he biulds a nuclear suicide bomber android, but its mission is sabotaged by one of his students: Kamel Kussein. When Goldberg develops the Colliding Beam Fusion Rocket, space travel becomes fast, safe and economical. Terraforming of Mars is underway, with striving domed-over cities. The first rain fall after 150 million years. An optical telescope with 1 km primary mirror is built, located on Phobos. An Earth-size planet is detected in Epsylon Eridani's comfort zone, it had been sculptured into triangular oceans and pentagon-shaped continents. They name it HoneyTazia. On Continent O...
Reframing Albrecht D?rer
Focusing on the ways his art and persona were valued and criticized by writers, collectors, and artists subsequent to his death, this book examines the reception of the works of Albrecht D?rer. Andrea Bubenik's analysis highlights the intensive and international interest in D?rer's art and personality, and his developing role as a paragon in art historiography, in conjunction with the proliferation of portraits after his likeness. The author traces carefully how D?rer's paintings, prints, drawings and theoretical writings traveled widely, and were appropriated into new contexts and charged with different meanings. Drawing on inventories and correspondences and taking collecting practices int...
Artful Armies, Beautiful Battles
Warfare, and the circumstances surrounding it, have often provided important impulses for cultural production. This book explores the relationship between warfare and image-making in the early modern period. Rather than dealing with images simply as reproductions of actual events, the volume demonstrates complex processes by which political, national and social identities are negotiated and fashioned in warfare imagery. The book analyses three main issues: the impact of war on art, the ways in which warfare imagery supports dominant ideologies, and the manner in which such imagery also constructs alternative identities. The essays offer a broad range of methodologies while dealing with a wide array of chronological, geographical and artistic materials. Historians and art historians will find this volume particularly useful in its nuanced examination of the relationship between art and history.
Perfection's Therapy
A deft reinterpretation of the most zealously interpreted picture in the Western canon as a therapeutic artifact. Albrecht Dürer's famous portrayal of creative effort in paralysis, the unsurpassed masterpiece of copperplate engraving titled Melencolia I, has stood for centuries as a pictorial summa of knowledge about the melancholic temperament, a dense allegory of the limits of earthbound arts and sciences and the impossibility of attaining perfection. Dubbed the “image of images” for being the most zealously interpreted picture in the Western canon, Melencolia I also presides over the origins of modern iconology, art history's own science of meaning. Yet we are left with a clutter of ...
A House Divided: Wittelsbach Confessional Court Cultures in the Holy Roman Empire, c. 1550-1650
This book is the only book-length monograph comparing the impact of confessional identity on both halves of the Wittelsbach dynasty which provided Bavarian dukes and German emperors as well as its implications for late Renaissance court culture. It demonstrates that religious conflict led to the development of distinctly confessional court cultures among the main Wittelsbach courts. Likewise, it illuminates how these confessional court cultures contributed significantly to the splintering of Renaissance humanism along religious lines in this era. Concomitantly, it sheds new light on the impact of late medieval dynastic competition on shaping the early modern Wittelsbach courts as well as the important role of Wittelsbach women in the creation and continuation of dynastic piety in their roles as wives, mothers, and patronesses of the arts.
The Essential Dürer
Albrecht Dürer (1471-1528), perhaps the most famous of all German artists, embodies the modern ideal of the Renaissance man—he was a remarkable painter, printmaker, draftsman, designer, theoretician, and even a poet. More is known about his thoughts and his life than about any other Northern European master of his time, since he wrote extensively about himself, his family's history, his travels, and his friends. His woodcuts and engravings were avidly collected and copied across Europe, and they quickly established his reputation as a master. Praised in life and elegized in death by such thinkers as Martin Luther and Erasmus, he served Emperor Maximilian and other leading church and secul...
Mental (Dis)Order in Later Medieval Europe
The boundaries between mental, social and physical order and various states of disorder – unexpected mood swings, fury, melancholy, stress, insomnia, and demonic influence – form the core of this compilation. For medieval men and women, religious rituals, magic, herbs, dietary requirements as well as to scholastic medicine were a way to cope with the vagaries of mental wellbeing; the focus of the articles is on the interaction and osmosis between lay and elite cultures as well as medical, theological and political theories and practical experiences of daily life. Time span of the volume is the later Middle Ages, c. 1300-1500. Geographically it covers Western Europe and the comparison between Mediterranean world and Northern Europe is an important constituent. Contributors are Jussi Hanska, Gerhard Jaritz, Timo Joutsivuo, Kirsi Kanerva, Sari Katajala-Peltomaa, Marko Lamberg, Iona McCleery, Susanna Niiranen, Sophie Oosterwijk, and Catherine Rider.
Hegel and Aesthetics
Hegel's Lectures on Aesthetics present a systematic and historical overview of the nature and development of art in light of its meaning and philosophical significance. This book considers Hegel's aesthetics from a variety of perspectives. With a strong and clear introduction by William Maker, the individual essays address Hegel's treatment of music, painting, comedy, and architecture, as well as his earlier writings on art, his relations to Schiller and to Schlegel, his treatment of romanticism, the place of aesthetics in the system, and his controversial claims about the overcoming of art. Several perspectives focus specifically on the contemporary relevance of Hegel's aesthetics in light of developments in art since his time, and especially in connection with modernism, postmodernism, and deconstruction. Contributors include William Desmond, Brian K. Etter, Andrew G. Fiala, Martin Gammon, Edward Halper, Stephen Houlgate, David Kolb, Stephen C. Law, Judith Norman, Carl Rapp, Jere Surber, and Richard D. Winfield.
