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Women Warriors in Romantic Drama advances scholarship on late eighteenth- and early nineteenth-century theater by bringing together, for the first time, female and male dramatists as well as British, German, Irish, and French writers, thinkers, actors, and philosophers. This transnational perspective allows Women Warriors in Romantic Drama to make the provocative claim that in some instances, the violence of the French Revolution--and especially women's participation in it--advances proto-feminist concerns.
In Between the Queen and the Cabby, John Cole provides the first full translation of de Gouges's Rights of Woman and the first systematic commentary on its declaration, its attempt to envision a non-marital partnership agreement, and its support for persons of colour. Cole compares and contrasts de Gouges's two texts, explaining how the original text was both her model and her foil. By adding a proposed marriage contract to her pamphlet, she sought to turn the ideas of the French Revolution into a concrete way of life for women. Further examination of her work as a playwright suggests that she supported equality not only for women but for slaves as well. Cole highlights the historical contex...
"Despite critical interest in the role of women in the French Revolution, there is no single, comprehensive study of the works of the two most prolific women writers of the period: Olympe de Gouges and Manon Roland. At a time when politicians were molding public policy concerning life, liberty, the pursuit of happiness, and constituting criteria for citizenship, increasing numbers of women in Paris were clamoring for rights. New medical and philosophical theories redefining female nature were trotted out to justify women's continued exclusion from full political participation. Such theories focused on the female body as the locus of women's intellectual inadequacies and promulgated the idea that women who acted outside of the confines of their physiological nature were considered desensitized and unfeminine. "Deviant Women of the French Revolution and the Rise of Feminism" aims to uncover the work of those women who challenged prevailing views of female nature, sought social reforms, and were deemed 'deviant' for their writing and/or activism during the French Revolution."--Jacket.
Smoothly blending performance theory, literary analysis, and historical insights, Cecilia Feilla explores the mutually dependent discourses of feeling and politics and their impact on the theatre and theatre audiences during the French Revolution. Remarkably, the most frequently performed and popular plays from 1789 to 1799 were not the political action pieces that have been the subject of much literary and historical criticism, but rather sentimental dramas and comedies, many of which originated on the stages of the Old Regime. Feilla suggests that theatre provided an important bridge from affective communities of sentimentality to active political communities of the nation, arguing that th...
Explores the way seven women writers of the eighteenth century responded to Rousseau, and traces his crucial influence on their literary careers.
At the same time it demonstrates how the Revolution fostered many dreams and ambitions for women that would be doomed to disappointment in the repressive post-Revolutionary era.".
Die Frau ist frei geboren und bleibt dem Manne gleich in allen Rechten. (Artikel 1 der Erklärung der Rechte der Frau und Bürgerin 1791 von Olympe de Gouges) Im Zuge des 200-jährigen Jubiläums der Französischen Revolution rückte insbesondere die Geschichte der Frauen in der Revolution in den Fokus des wissenschaftlichen Interesses. Zu ihren wichtigsten Vertreterinnen zählt die Schriftstellerin Olympe de Gouges mit ihrer Erklärung der Rechte der Frau und Bürgerin von 1791, die sie als ‘Ahnfrau des Feminismus’ erkennen lässt. Die vorliegende Studie zeigt neun Bilder der französischen Revolutionärin, die sich aus der Untersuchung ihrer unterschiedenen Darstellung und Rezeption ergaben, von Jules Michelet bis zu Internetartikeln von heute.
Twelve scholars representing a variety of academic fields contribute to this study of slavery in the French Caribbean colonies, which ranges historically from the 1770s to Haiti's declaration of independent statehood in 1804. Including essays on the impact of colonial slavery on France, the United States, and the French West Indies, this collection focuses on the events, causes, and effects of violent slave rebellions that occurred in Saint-Domingue, Guadeloupe, and Martinique. In one of the few studies to examine the Caribbean revolts and their legacy from a U.S. perspective, the contributors discuss the flight of island refugees to the southern cities of New Orleans, Savannah, Charleston, Norfolk, and Baltimore that branded the lower United States as "the extremity of Caribbean culture." Based on official records and public documents, historical research, literary works, and personal accounts, these essays present a detailed view of the lives of those who experienced this period of rebellion and change.
This study explores the complex interrelationships that exist between translation, gender and race. It focuses on anti-slavery writing by French women during the revolutionary period, when a number of them spoke out against the oppression of slaves and women."