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The Life of High Countess Gritta Von Ratsinourhouse
A group of girls escape from their convent school and after surviving a shipwreck found a feminist paradise on an exotic island. Written in the 1840s by a mother-daughter team, the novel was a critique of German paternalism.
The Reception of Grimms' Fairy Tales
"The essays address the reception of the Grimms' texts by their readers; the dynamics between Grimms' collection and its earliest audiences; and aspects of the literary, philosophical, creative, and oral reception of the tales, illuminating how writers, philosophers, artists, and storytellers have responded to, reacted to, and revised the stories, thus shedding light on the ways in which past and contemporary transmitters of culture have understood and passed on the Grimms' tales."--BOOK JACKET.
Bettina Brentano-von Arnim
Bettina Brentano-von Arnim, the first book in English devoted to Brentano-von Arnim's controversial views on gender, politics, and language theory, continues the process of recent rediscovery of this complex and brilliant author. The book opens with an essay by Christa Wolf on Brentano-von Arnim, revealing connections between the two writers. Other chapters address the issues central in her texts: gender, anti-semitism, social inequity, female bonding, and women in relation to traditional literary genres, language, music, religion, nature, and utopia.
Bitter Healing
Bitter Healing is the first anthology of eighteenth- and early-nineteenth-century German women's writing in English translation. It goes far toward filling a major gap in literary history by recovering for a wide audience the works of women whoøwere as famous during their lifetime as Wieland, Schiller, and Goethe. Like those men, they wrote in the early modern period spanning the transition from early Enlightenment to Romanticism. Edited by Jeannine Blackwell and Susanne Zantop, this collection assembles little-known writings by fifteen authors from various social classes, religious backgrounds, and political persuasions. They include the forgotten pietist theologian Johanna Eleonore Peters...
The Queen's Mirror
This exciting and comprehensive anthology?the first anthology of German women's fairy tales in English?presents a variety of published and archival fairy tales from 1780 to 1900. These authors of these stories used fairy tales to explain their own lives, to teach children, to examine history, and to critique society and the status quo. Powerful and conflicted females are queens, girls on quests, mothers, daughters, magical wisewomen, and midwives to the fairies; they love, hate, murder, save children, fight tyranny, overcome cannibals, and rescue the working poor. ø Jeannine Blackwell's introduction places the tales in their historical, social, and critical context, and Shawn C. Jarvis's afterword presents a thematic analysis of the texts and approaches to reading them in conjunction with other European and American tales.
The Music of Joseph Joachim
Joseph Joachim (1831-1907) was arguably the greatest violinist of the nineteenth century. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures and chamber music works. Uhde's book will be thestandard work on the music of Joseph Joachim for many years to come.
The Brothers Grimm
The first English-language biography in over fifty years to tell the full, vibrant story of Jacob and Wilhelm Grimm, known to history as the Brothers Grimm “Magisterial.”—Kirkus Reviews More than two hundred years ago, the German brothers Jacob Grimm (1785–1863) and Wilhelm Grimm (1786–1859) published a collection of fairy tales that remains famous the world over. It has been translated into some 170 languages—more than any other German book—and the Brothers Grimm are among the top dozen most translated authors in the world. In addition to collecting tales, the Grimms were mythographers, linguists, librarians, civil servants, and above all the closest of brothers, but until now...
Fairy Tales and Feminism
In the 1970s, feminists focused critical attention on fairy tales and broke the spell that had enchanted readers for centuries. Now, after three decades of provocative criticism and controversy, this book reevaluates the feminist critique of fairy tales.
Johannes Brahms, Free But Alone
Johannes Brahms was until now widely regarded as the archetype of the «absolute musician». Based on new research, the study shows how close autobiographic and poetic elements are in fact linked to his oeuvre. Like Robert Schumann, Brahms subscribed to an aesthetic of «poetic» music. In many of his compositions he got his inspiration from personal experiences, poems or images, as is shown by hitherto unpublished documents, letters, and diary entries, as well as from close analyses of individual works. Brahms's personality, too, is seen in a new way. He adopted Joseph Joachim's motto «Frei, aber einsam», «Free but Alone». The tonal code F - A - E, the musical symbol of this, recurs frequently in his works. Not least, the English version of the book, originally published in German in 1997, includes four additional chapters that investigate novel aspects by dealing in detail with the First Symphony, the German Requiem, Nänie and the Four Serious Songs. The American Brahms Society stressed the importance of the study for all those who want to come to know the unknown Brahms.
