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The story of one woman's tragic life, including the death of her sister, her frantic sexual conquests in an attempt to quell her loneliness, and how she finally finds love, and the answers she has been seeking.
As one of the most prominent voices from and about the French Caribbean, Gisèle Pineau has garnered significant scholarly attention; however, this interest has culminated in precious few volumes devoted entirely to the author and her work. In response to this lack of in-depth critical attention, Reimagining Resistance in Gisèle Pineau’s Works brings together a range of perspectives from both sides of the Atlantic and across the Pacific to explore the unique ways in which Gisèle Pineau’s works redefine the concept of resistance, particularly as it relates to gender, race, history, and Antillean identity. As this volume ultimately demonstrates, resistance holds up a mirror to the political, economic, and cultural forces that have shaped the past, construct the present, and build the future. It argues that Pineau’s characters open the narrative frame for reading them and move us beyond the categories of the wholly defiant or the inherently complicit. Above all, as they invite us to reimagine resistance, they expose our expectations and hopefully shift our understanding about what it means to rise and to fall in a world we seek to call our own.
A cyclone inexorably sweeps Eliette into her past in this novel about the wayward violence of love and nature in Guadeloupe. In Macadam Dreams the celebrated Creole writer Gis_le Pineau cunningly unveils the two cataclysms that have devastated Eliette?s life: first, the cyclone of 1928, when she was only eight years old, and now, Hurricane Hugo, whose destruction shatters the elaborate defenses the old woman has built around the sorrows and madness of her life in the small, accursed town of Savane Mulet. ø As Hugo unleashes its fury, a final blow frees Eliette?s repressed memories of madness, isolation, and loss, and of the grievous failure of a prophecy that promised her a child. A story of self-discovery, Macadam Dreams speaks eloquently of the violence and poverty endured by women of this island nation?violence every bit as devastating, and seemingly inescapable, as the perpetually returning cyclone. Viewed by many as a canonical author in the Creole movement in Francophone literature, Pineau has created an extraordinary work that is recognized as a masterpiece of French-Caribbean literature.
Set in Guadeloupe, this novel traces the rise an fall of man under the mocking eye of the spirits who roam the land, drifting between light and darkness, between happiness and misery, between love and death.
Organized by region, boasting an international roster of contributors, and including summaries of selected creative and critical works and a guide to selected terms and figures, Salhi's volume is an ideal introduction to French studies beyond the canon.
Chantal Kalisa examines the ways in which women writers lift taboos imposed on them by their society and culture and challenge readers with their unique perspectives on violence. Comparing women from different places and times, Kalisa treats types of violence such as colonial, familial, linguistic, and war-related, specifically linked to dictatorship and genocide. She examines Caribbean writers Michele Lacrosil, Simone Schwartz-Bart, Gisèle Pineau, and Edwidge Danticat, and Africans Ken Begul, Calixthe Beyala, Nadine Bar, and Monique Ilboudo. She also includes Sembène Ousmane and Frantz Fanon.
The men and women glimpsed in Lahens's stories are confronted with the overwhelming task of simply staying alive. "The Survivors" unfolds under the Duvalier dictatorship and, centered on a group of men who dream of somehow striking out against the regime, shows how fear is passed down from generation to generation. Life is no simpler in the post-Duvalier world of the title story, in which a young man is caught between a mother who lives a devout life filled with self-imposed restrictions and an exuberant Vodouist aunt who makes no apologies for working in the black market. The twelve-year-old girl who narrates "Madness Had Come with the Rain" finds herself swept up in a violent riot following the death of a modern Robin Hood. Lahens' women, although they may act as the poto mitan (or "central pole") in family life and society, experience a particularly grim fate. In the eviction tale "And All This Unease" a beautiful girl reminisces about her happy childhood in the country in order to forget her current life as a prostitute.
Contributions by María V. Acevedo-Aquino, Consuella Bennett, Florencia V. Cornet, Stacy Ann Creech, Zeila Frade, Melissa García Vega, Ann González, Louise Hardwick, Barbara Lalla, Megan Jeanette Myers, Betsy Nies, Karen Sanderson-Cole, Karen Sands-O’Connor, Geraldine Elizabeth Skeete, and Aisha T. Spencer The world of Caribbean children’s literature finds its roots in folktales and storytelling. As countries distanced themselves from former colonial powers post-1950s, the field has taken a new turn that emerges not just from writers within the region but also from those of its diaspora. Rich in language diversity and history, contemporary Caribbean children’s literature offers a win...
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