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Prison Notebooks
Based on the authoritative Italian edition of Gramsci's work, 'Quaderni del Carcere', this translation presents the intellectual as he ought to be read and understood.
Rereading Travellers to the East
Rereading Travellers to the East aim to offer a new perspective on travel literature, the question of nation-building and the history of orientalism. Rereading Travellers focuses on the rereadings to which early modern travel literature about Asia has been subjected by different actors involved in the political, economic, cultural and intellectual life of post-unification Italy. The authors highlight how this literature has been reinterpreted and reused for political and ideological purposes in the context of the formation and reformation of collective identities, from the Risorgimento to the Fascist regime and the early republic. By showing the potential of the notion of rereading, the volume outlines a history of the political and cultural legacy of travel literature which goes well beyond Italy.
The Letter Liveth
Recently, there has been increased appreciation of the fact that August Friedrich Pott (18021887) possessed valuable insights and articulated uncommon positions in Indo-European comparative linguistics, general linguistics, and linguistic ethnology. This introduction and accompanying bibliography and catalogue aim to provide additional access routes to Pott's career by chronicling his life, works, and library collection.
Beyond the Traveller's Gaze
This book offers a stimulating analysis of three non-canonical texts in different genres written by British women who lived in Sicily in the second half of the nineteenth and the beginning of the twentieth centuries. These texts cover a series of crucial political events as well as social and cultural changes which affected the history of Sicily during the period in question, all seen through the direct and indirect experiences of the authors. The book offers a historical perspective on the late-Victorian and Edwardian representations of post-Unification Italy. At the same time the author challenges current critical literature on travel writing which tends to analyse travel texts without mak...
The Criminal Body
This fascinating book traces the evolution of the "criminal body" by focusing on the work of Cesare Lombroso, an Italian physician and anthropologist, who is widely held to be the father of modern criminology. Building on Lombroso's concept of the "born criminal" and the idea that bodies could be used as evidence in criminal investigations, The Criminal Body offers an intriguing window into the origins of today's criminological science.
The Influence of Pre-Raphaelitism on Fin de Siècle Italy
This volume is the first comprehensive study of the influence of English Pre-Raphaelitism on Italian art and culture in the late nineteenth century. Analysis of the cultural relations between Italy and Britain has focused traditionally on the special place that Italy had in the British imagination, but the cultural and artistic exchanges between the two countries have been much misunderstood. This book aims to correct this imbalance by placing Pre-Rapahelitism in its European context. It explores the nature of its influence on Italy, how it was transmitted, and how it was manifested, by focusing on the role of Italian Anglophiles, the English communities in Florence and Rome, the writings of Gabriele D'Annunzio, and a number of Italian artists active in Tuscany and Rome. The works of Cellini, Ricci, Gioja, De Carolis, and Sartorio in particular fully demonstrate the impact of Pre-Raphaelitism on the young Italian school of painting which found in the English movement an ideal link with its glorious past on which it could build a new artistic identity. These artists show that English Pre-Raphaelitism was one of the most powerful single influences on fin-de-siecle Italian culture.
The Italian American Heritage
First published in 1999. The many available scholarly works on Italian-Americans are perhaps of little practical help to the undergraduate or high school student who needs background information when reading contemporary fiction with Italian characters, watching films that require a familiarity with Italian Americans, or looking at works of art that can be fully appreciated only if one understands Italian culture. This basic reference work for non-specialists and students offers quick insights and essential, easy-to-grasp information on Italian-American contributions to American art, music, literature, motion pictures and cultural life. This rich legacy is examined in a collection of origina...
An American Painter in Venice
A biography of the American painter Ralph W. Curtis (1854-1922), of the Boston family who bought the Palazzo Barbaro on the Grand Canal in Venice in 1885. After graduating at Harvard, Curtis moved to Paris to study art with Carolus Duran, where he met his distant cousin John S. Sargent, with whom he travelled to Holland to see Franz Hals’s paintings. He exhibited at the Paris salons, at the Royal Academy of Arts in London, at the Venice Biennale in the 1880s. At Palazzo Barbaro he met Robert Browning, Henry James, but also Venetian painters such as Ettore Tito and Antonio Mancini. He travelled widely, even to Japan and India. His works are in American Museums and private collections.
Italian Popular Tales
An important reintroduction to this literature, this compilation of Thomas Crane's original translations of Italian folk stories includes new critical analysis. For 19th-century folklorist Thomas Crane, the value of collecting, translating, and reproducing folktales lay in their "internationalism"—their capacity to reveal how the customs of a particular group, no matter how unique, are linked to many others. In his classic collection, edited and updated by contemporary folklorist Jack Zipes, Crane traces the roots of Italian folktales to their origins, often in the Orient, then shows how they diffused in unpredictable and marvelous ways throughout Italy and over the centuries. A contemporary of the brothers Grimm, Crane offers a richer, more complex selection of oral and literary tales. Unlike the Grimms, he doesn't edit or modify the tales, which deal openly with surprisingly contemporary subjects: murder, adultery, incest, child abuse, and brutal vengeance.
