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Reading Dante
divdivA towering figure in world literature, Dante wrote his great epic poem Commedia in the early fourteenth century. The work gained universal acclaim and came to be known as La Divina Commedia, or The Divine Comedy. Giuseppe Mazzotta brings Dante and his masterpiece to life in this exploration of the man, his cultural milieu, and his endlessly fascinating works.div /DIVdivBased on Mazzotta’s highly popular Yale course, this book offers a critical reading of The Divine Comedy and selected other works by Dante. Through an analysis of Dante’s autobiographical Vita nuova, Mazzotta establishes the poetic and political circumstances of The Divine Comedy. He situates the three sections of the poem—Inferno, Purgatory, Paradise—within the intellectual and social context of the late Middle Ages, and he explores the political, philosophical, and theological topics with which Dante was particularly concerned./DIV/DIV/DIV
The World at Play in Boccaccio's Decameron
Giuseppe Mazzotta provides both a powerful framework for reading the Decameron and an important contribution to medieval and contemporary debates in esthetics. Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Dante's Vision and the Circle of Knowledge
In a masterly synthesis of historical and literary analysis, Giuseppe Mazzotta shows how medieval knowledge systems--the cycle of the liberal arts, ethics, politics, and theology--interacted with poetry and elevated the Divine Comedy to a central position in shaping all other forms of discursive knowledge. To trace the circle of Dante's intellectual concerns, Mazzotta examines the structure and aims of medieval encyclopedias, especially in the twelfth and thirteenth centuries; the medieval classification of knowledge; the battle of the arts; the role of the imagination; the tension between knowledge and vision; and Dante's theological speculations in his constitution of what Mazzotta calls a...
Cosmopoiesis the Renaissance E
Mazzotta traces how major medieval and Renaissance thinkers invented their worlds through utopias, magic, science, art, and theatre and calls for the necessity to study the Renaissance in terms of the ongoing conversation of the arts and sciences.
Cosmopoiesis the Renaissance E
Mazzotta calls for a new approach: the necessity to study the Renaissance in terms of the ongoing conversation of the arts and sciences."--BOOK JACKET.
Interpretation and Allegory
Concentrating on interpretive allegory, this book's interdisciplinary approach simultaneously opens and organizes new perspectives on historic developments--from pagan, Jewish, Christian, and Islamic commentaries to postmodern critiques. --From publisher's description.
The Worlds of Petrarch
At the center of Petrarch's vision, announcing a new way of seeing the world, was the individual, a sense of the self that would one day become the center of modernity as well. This self, however, seemed to be fragmented in Petrarch's work, divided among the worlds of philosophy, faith, and love of the classics, politics, art, and religion, of Italy, France, Greece, and Rome. In recent decades scholars have explored each of these worlds in depth. In this work, Giuseppe Mazzotta shows for the first time how all these fragmentary explorations relate to each other, how these separate worlds are part of a common vision. Written in a clear and passionate style, The Worlds of Petrarch takes us int...
Dante, Poet of the Desert
The Description for this book, Dante, Poet of the Desert: History and Allegory in the DIVINE COMEDY, will be forthcoming.
The Production of English Renaissance Culture
What is the relationship between the cultural artifacts of Renaissance England and the processes of production, exchange, and accumulation through which they were brought into being? Pursuing this question, a group of distinguished scholars from both sides of the Atlantic exemplifies a number of different approaches to the writing of cultural history.
The Cambridge Companion to Dante
Fifteen specially-commissioned essays by distinguished scholars provide an introduction to Dante that is at once accessible and challenging.
