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Editor Robert Weinberg has assembled a stellar collection of rare horror stories from the weird fiction pulps, including contributions from Robert Barbour Johnson, Julius Long, G.G. Pendarves, Mary Elizabeth Counselman, Mearle Prout, Mindret Lord, Robert E. Howard, Earl Pierte, Jr., Seabury Quinn, J. Wesley Rosenquest, and Robert Nelson.
In this fascinating book, Brian J. Frost presents the first full-scale survey of werewolf literature covering both fiction and nonfiction works. He identifies principal elements in the werewolf myth, considers various theories of the phenomenon of shapeshifting, surveys nonfiction books, and traces the myth from its origins in ancient superstitions to its modern representations in fantasy and horror fiction. Frost's analysis encompasses fanciful medieval beliefs, popular works by Victorian authors, scholarly treatises and medical papers, and short stories from pulp magazines of the 1930s and 1940s. Revealing the complex nature of the werewolf phenomenon and its tremendous and continuing influence, The Essential Guide to Werewolf Literature is destined to become a standard reference on the subject.
Vampires and werewolves have existed alongside humans since antiquity, or at least the tales of them. Reawaken the fear, the dread and the obsession with the creatures of the night with this meticulously edited collection of the greatest horror classics of all time: Vampires: The Vampyre (John William Polidori) Dracula (Bram Stoker) Dracula's Guest (Bram Stoker) Clarimonde (Théophile Gautier) Carmilla (Sheridan Le Fanu) Vikram and the Vampire (Sir Richard Francis Burton) The Vampire (Jan Neruda) Varney the Vampire, or, the Feast of Blood (Thomas PeckettPrest and James Malcolm Rymer) The Vampire of Croglin Grange (Augustus Hare) The Vampire Maid (Hume Nisbet) The Room in the Tower (E. F. Ben...
Welsh Gothic, the first study of its kind, introduces readers to the array of Welsh Gothic literature published from 1780 to the present day. Informed by postcolonial and psychoanalytic theory, it argues that many of the fears encoded in Welsh Gothic writing are specific to the history of Welsh people, telling us much about the changing ways in which Welsh people have historically seen themselves and been perceived by others. The first part of the book explores Welsh Gothic writing from its beginnings in the last decades of the eighteenth century to 1997. The second part focuses on figures specific to the Welsh Gothic genre who enter literature from folk lore and local superstition, such as the sin-eater, cŵn Annwn (hellhounds), dark druids and Welsh witches.
The New Paper Windows is a lively and provocative collection of 36 short short stories suitable for secondary students of English. These lesson-sized stories from Australian and international authors cover a range of themes, styles and genres, and introduce students to writing techniques and the skills of critical literacy. This new edition of the well-established anthology includes more than a dozen new short stories, revised activities throughout, and a bold and engaging design and illustrations. Focusing on genre stories, it features work from both well-known authors, such as Haruki Murakami, Damien Broderick and Ursula le Guin, and authors just starting their literary careers.
The Lays or Laisof Marie de France were a series of twelve short narrative Breton lais by the poet Marie de France. They were written in Anglo-Norman and were probably composed in the late 12th century. The short, narrative poems generally focus on glorifying the concept of courtly love by the adventures of their main characters. But in translation their poetic quality has been superseded by the narrative content and it is in this form that the work is available to us today. Contents: The Lay of Gugemar The Lay of the Dolorous Knight The Lay of Eliduc The Lay of the Nightingale The Lay of Sir Launfal The Lay of the Two Lovers The Lay of the Were-Wolf The Lay of the Ash Tree The Lay of the Ho...
Originally published in 1998 and covering a tradition ignored by most critics, this bibliography assembles and documents a large body of supernatural fiction written by women in English from the end of the 18th century to the present. These stories, the work of women whose literary reputations, personal histories, and bodies of work vary widely, challenge the narrow way in which supernatural literature has traditionally been regarded: they indicate a much richer and more complex set of literary responses to the supernatural than has been hitherto acknowledged. The writers included range from Ann Radcliffe and the Gothic novelists to Louisa May Alcott, Charlotte Gilman, and Edith Wharton to such modern writers as Elizabeth Bowen, Jean Rhys, Muriel Spark, and A.S. Byatt. The volume will be of interest to literary and cultural historians and of particular importance to women's studies scholars.
A tremendous tale, depicted against the background of the great desert, about the evil Arab sheykh El Shabur, and dreadful occult forces that were unleashed in a desperate struggle for the soul of a beautiful young woman.
The beasts prowl in the dark alleys to prey on their suspicious victims. The vampires come out at night to snatch innocent passerby for hearty meals. The werewolves sink their teeth into the soft flesh. DigiCat presents to you a selection of the greatest horror classics, a collection like no other, to make your hair rise in fear and anticipation. Contents: Vampires: The Vampyre (John William Polidori) Dracula (Bram Stoker) Dracula's Guest (Bram Stoker) Clarimonde (Théophile Gautier) Carmilla (Sheridan Le Fanu) Vikram and the Vampire (Sir Richard Francis Burton) The Vampire (Jan Neruda) Varney the Vampire, or, the Feast of Blood (Thomas PeckettPrest and James Malcolm Rymer) The Vampire of Cr...
Vampires and werewolves have existed alongside humans since antiquity, or at least the tales of them. Reawaken the fear, the dread and the obsession with the creatures of the night with this meticulously edited collection of the greatest horror classics of all time: Vampires: The Vampyre (John William Polidori) Dracula (Bram Stoker) Dracula's Guest (Bram Stoker) Clarimonde (Théophile Gautier) Carmilla (Sheridan Le Fanu) Vikram and the Vampire (Sir Richard Francis Burton) The Vampire (Jan Neruda) Varney the Vampire, or, the Feast of Blood (Thomas PeckettPrest and James Malcolm Rymer) The Vampire of Croglin Grange (Augustus Hare) The Vampire Maid (Hume Nisbet) The Room in the Tower (E. F. Ben...