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Hearings
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Hearings
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Signs of Grace
Religious imagery was ubiquitous in late-nineteenth-century American life: department stores, schoolbooks, postcards, and popular magazines all featured elements of Christian visual culture. Such imagery was not limited to commercial and religious artifacts, however, for it also found its way into contemporary fine art. In Signs of Grace, Kristin Schwain looks anew at the explicitly religious work of four prominent artists in this period--Thomas Eakins, F. Holland Day, Abbott Handerson Thayer, and Henry Ossawa Tanner--and argues that art and religion performed analogous functions within American culture. Fully expressing the concerns and values of turn-of-the-century Americans, this artwork ...
Apropos of Something
"Before 1800 nothing was irrelevant. So argues Elisa Tamarkin's sweeping cultural history of a key shift in consciousness: the arrival, around 1800, of "relevance" as the means to grasp how something previously disregarded becomes important and interesting. At a time when so much makes claims to attention every day, how does one decide what is most valuable right now? This is not only a contemporary problem. For Ralph Waldo Emerson, the question for the nineteenth century was how, in the immensity and "succession" of objects, anything becomes a proper object of experience. How that question was finally defined as one of relevance is the story of Apropos of Nothing. Relevance, Tamarkin shows,...
The Journey
Victor Gustav Bloede was born March 14, 1949 in Dresden, Germany. His parents were Gustav Bloed and Maria Jungnitz. The family immigrated to the United States in August, 1850 and settled in Bordentown, New Jersey. Victor married Elise Schon June 5, 1883 in Toledo, Ohio. They settled in Parkersburg, West Virginia and later in Catonsville, Maryland. They had five children. Victor died in 1937 in Catonsville. Ancestors, descendants and relatives lived in Germany, New York, New Jersey, West Virginia, Maryland and elsewhere.
Descendants of William Cromartie and Ruhamah Doane
This ambitious work chronicles 250 years of the Cromartie family genealogical history. Included in the index of nearly fifty thousand names are the current generations, and all of those preceding, which trace ancestry to our family patriarch, William Cromartie, who was born in 1731 in Orkney, Scotland, and his second wife, Ruhamah Doane, who was born in 1745. Arriving in America in 1758, William Cromartie settled and developed a plantation on South River, a tributary of the Cape Fear near Wilmington, North Carolina. On April 2, 1766, William married Ruhamah Doane, a fifth-generation descendant of a Mayflower passenger to Plymouth, Stephen Hopkins. If Cromartie is your last name or that of on...
Southern St. Joseph County
The changing world of the 1960s forced adaptation upon southern St. Joseph County, which was still trying to retain a rural identity in the towns of North Liberty, Walkerton, and Lakeville. By the decade's end, Studebakers had closed, and multigenerational family farms had been sold to accommodate the creation of Potato Creek State Park. The early 1980s brought further challenges for community leaders tasked with consolidating area schools to form the John Glenn School Corporation. Through all of this, the community retained its steadfast commitment to fellowship and local charm. Festivals, parades, church gatherings, and school activities reinforce what it means to be a Hoosier in southern St. Joseph County.
Song of the Waterwheel
Song of the Waterwheel is a true love story of two unlikely people, opposite personalities whose red-hot romance established an unbreakable marriage that, for twenty-eight years, withstood all tests: time, multiple disasters, treachery and betrayal, financial loss, births, sickness, even death itself—because God was the author of their story.
