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Glass is to be found everywhere, from delicate wineglasses to ornamental lamps that illuminate and decorate. This book is a valuable starting point for enthusiasts. It tells you where to hunt for bargains and how to add rarities to a growing collection.
Isobel Armstrong's startlingly original and beautifully illustrated book tells the stories that spring from the mass-production of glass in nineteenth-century England. Moving across technology, industry, local history, architecture, literature, print culture, the visual arts, optics, and philosophy, it will transform our understanding of the Victorian period. The mass production of glass in the nineteenth century transformed an ancient material into a modern one, at the same time transforming the environment and the nineteenth-century imagination. It created a new glass culture hitherto inconceivable. Glass culture constituted Victorian modernity. It was made from infinite variations of the ...
Thousands of beautiful hand-formed decorative glassware designs from British manufacturers, for export and domestic use, from 1850 to 1914. Detailed analysis and more than 850 color photographs and hundreds of carefully hand-drawn illustrations provide a visual feast to study and enjoy.
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Glass catalogs, 1859 to 1871.
Described by Craft Digest as "beautiful and very inspirational," Connie Clough Eaton's splendid stained glass designs are as easy to execute as they are attractive. Her latest collection focuses on Victorian florals — one of the most popular subjects among stained glass artists. In oval, rectangular, square, and round formats, the versatile, royalty-free images are designed to embellish traditional windows, but to work equally well as patterns for fabric painting, applique work, and other craft projects.
Stained glass reached the height of its popularity in the Victorian period. But how did it become so popular and who was involved in this remarkable revival? The enthusiasm for these often exquisite pieces of artwork spread from specialist groups of antiquarians and architects to a much wider section of the Victorian public. By looking at stained glass from the perspective of both glass-painter and patron, and by considering how stained glass was priced, bought and sold, this enlightening study traces the emergence of the market for stained glass in Victorian England. Thus it contains new insights into the Gothic Revival and the relationship between architecture and the decorative arts. Beautifully illustrated with colour plates and black and white illustrations, this book will be valuable to those interested in stained glass and the wider world of Victorian art.
Wax : "Beauties from the beehive"--Shell work : "Flowers from the sea" -- Hair work : "Hair today, hair tomorrow" -- Nature contained : "Birds, dogs, frogs, and monkeys too!" -- Feather work : "Birds of a feather" -- Beautiful in death : "Skeleton leaves and phantom bouquets" -- Wool work : "Have you any wool?" -- Glass whimsies : "Confections in glass" -- Fancy that! : "Paper, muslin, silk, bead, and seed work" -- Automata : "Musical mechanical masterpieces" -- Esoterica -- Gone but not forgotten.
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