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Este livro é um exemplo de que a evolução do conhecimento sobre o tema tornou-se mais ágil na medida em que maior número de técnicos brasileiros, em ambiente multidisciplinar e pontos de observações tropicais, passou a se dedicar ao tema resíduos sólidos e seus impactos sociais, econômicos, sanitários e ambientais. Editora: Edifes Ano: 2023 Edifes Editora do Ifes Editora do Instituto Federal do Espírito Santo
This book constitutes the refereed proceedings of the 14th Ibero-American Conference on Artificial Intelligence, IBERAMIA 2014, held in Santiago de Chile, Chile, in November 2014. The 64 papers presented were carefully reviewed and selected from 136 submissions. The papers are organized in the following topical sections: knowledge engineering, knowledge representation and probabilistic reasoning; planning and scheduling; natural language processing; machine learning; fuzzy systems; knowledge discovery and data mining; bio-inspired computing; robotics; vision; multi-agent systems; agent-based modeling and simulation; AI in education, affective computing, and human-computer interaction; applications of AI; and ambient intelligence.
"Reality does not comply with our narrations of it. And that is most certainly the case with the narrations produced in academia. An anthropologist in Bahia, Brazil, fears to become possessed by the spirits he had come to study; falls madly in love withan 'informant'; finds himself baffled by the sayings of a clairvoyant; and has to come to grips with the murder of one of his best friends. Unsettling events that do not belong to the orderly world of scientific research, yet leave their imprint on the way the anthropologist comes to understand the world. REflecting on his long research experience with the spirit possession cult Candomblâe, the author shows, in a probing manner, how definitions of reality always require the exclusion of certain perceptions, experiences and insights. And yet, this 'rest-of-what-is' turns out to be an inexhaustible source of amazement, seduction and renewal." --P [4] of cover.
Brazil has one of the most significant and productive film industries in Latin America. This ground-breaking study provides an entertaining insight into the Brazilian films that have most captured the imagination of domestic audiences over the years. The recent international success of films such as Central Station and City of God, has stimulated widespread interest in Brazilian film, but studies written in English focus on the 'auteur' cinema of the 1960s. This book focuses on individual films in their socio-historical context, drawing on extensive fieldwork in Brazil and Latin America. It argues that Brazilian cinema has almost always been grounded in intrinsically home-grown cultural forms, dating back to the nineteenth century, such as the Brazilian music-hall, the travelling circus, radio shows, carnival, and, later, comedy television. Combining a chronological structure with groundbreaking research and a lively approach, Popular cinema in Brazil is the ideal introduction to Brazilian cinema.
Best-seller internacional com mais de cinquenta milhões de cópias vendidas. Beleza Negra é um drama sensível que conscientiza sobre o bem-estar animal enquanto educa gentilmente acerca de empatia e respeito ao próximo. Após uma infância feliz, um jovem cavalo de coração nobre descobre que nem todos os humanos são bons. A cada novo dono, Beleza Negra se depara com o carinho, o abandono, a abundância e os maus-tratos. Publicado em 1877, Beleza Negra é um clássico imortal para tocar o coração dos leitores.
(...) A filosofia se define, para Deleuze, como criação conceitual, e todo o seu trabalho é marcado por uma extraordinária invenção de conceitos. A arte é, com efeito, do domínio por excelência da criação, mas a arte cria blocos de sensações e não conceitos filosóficos. Grandes artistas e escritores são também grandes pensadores, mas pensam em termos de perceptos e afectos. Pintores pensam com linhas e cores, músicos pensam com sons, cineastas, com imagens e escritores, com palavras. Por isso, não há nenhum privilégio ou hierarquia entre essas diferentes atividades, pois cada uma delas é igualmente criadora. O verdadeiro objeto da arte é criar seres de sensação, agregados sensíveis; o objeto da filosofia é a criação conceitual. Criar um conceito é tão difícil quanto realizar uma composição visual, sonora ou verbal. Do mesmo modo, nada é tão grandioso quanto dar à luz uma imagem cinematográfica, uma pintura ou mesmo assinar um conceito. Veronica Damasceno
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This is a book about the intersections of three dimensions. The first is the way social scientists and historians treat the history of psychiatry and healing, especially as it intersects with psychedelics. The second encompasses a reflection on the substances themselves and their effects on bodies. The third addresses traditional healing, as it circles back to our understanding of drugs and psychiatry. The chapters explore how these dimensions are distinct, but deeply intertwined, themes that offer important insights into contemporary healing practices. The intended audience of the volume is large and diverse: neuroscientists, biologists, medical doctors, psychiatrists, psychologists; mental...