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Most English speakers in Australia know a few words of Yagara, the Pama-Nyungan language traditionally spoken in the area that now includes Brisbane and Ipswich. For example, Australian English yakka ‘work’ comes from the Yagara verb yaga ‘to work’. However, no fluent native speakers of Yagara remain. The current volume compares the written records of Yagara to facilitate revitalisation of the spoken language. Part 1: Grammar introduces the Yagara sources, which are then compared to extract a picture of Yagara’s structure – its sounds, its words, and its grammar. Attention is also given to the system of kinship terms, moieties, and totems. Part 2: Dictionary contains the most com...
The Journal of Cultural Management and Cultural Policy offers international perspectives on a wide range of issues in cultural management and cultural policy research and practice. In light of the global pandemic, environmental degradation, and racial justice crises, the contributions in this issue offer timely responses and thorough research on museum management, collection and archiving practices, curatorial approaches, and cultural policy instruments used to transform existing museum infrastructures. What is a "decolonized" collection? How does it affect exhibition development and public programming? How can museums serve a diverse collective memory in the future and what implications does this have for museum users? What role does "the digital museum" play in this context? And how does cultural policy need to respond to such novel approaches? Including perspectives from many parts of the world, this issue discusses ideas of what 21st-century museums could be.
Positioned within current ecocritical scholarship, this volume is the first book-length study of the representations of plants in contemporary American, English, and Australian poetry. Through readings of botanically-minded writers including Les Murray, Louise Glück, and Alice Oswald, it addresses the relationship between language and the subjectivity, agency, sentience, consciousness, and intelligence of vegetal life. Scientific, philosophical, and literary frameworks enable the author to develop an interdisciplinary approach to examining the role of plants in poetry. Drawing from recent plant science and contributing to the exciting new field of critical plant studies, the author develops...
This exhibition catalogue was published on the occasion of the exhibition Why Listen to Plants? (22 November - 7 December) held at RMIT Design Hub. This program of talks, workshops and performances was presented in collaboration with Liquid Architecture. In this program of experimental plant-listening, we attempt to model the best features of interspecies entanglements (reciprocity, mutualism, collective intelligence) while leaving behind the worst (co-dependency, parasitism). Through talks, screenings, workshops, performances, reading groups and residencies, we explore plants as sites of collective organisation, and their collaborators microbes, fungi and bees as social protagonists. With so much to say, these super-organisms suggest expanded definitions of both non-human subjectivity, and the listening - discursive, decentred, yet embodied -necessary to tune into them.
"The anthology Curating as Anti-Racist Practice reflects upon museums and exhibitions from the perspective of postcolonial museology and critical migration and regime research. Beyond critical analysis, this collection of texts is about collecting strategies and forms of action that make it possible to think of curating as anti-racist practice. Using as springboards the intersections between social battlefields and curatorial practices, as well as a focus on agency, this book examines the relationality of struggles for and against representation. Therefore, the focus is on discursive strategies of resistance, contact zones and approaches to re-appropriation". [publisher].
This is a trilingual dictionary of Vurës, with meanings provided in both English and Bislama, the national language of Vanuatu. Vurës is an Oceanic language spoken on the island of Vanua Lava in Vanuatu. The dictionary is a companion volume to A Grammar of Vurës, Vanuatu (Malau 2016). There is no established tradition of writing in Vurës and most speakers are not literate in their own language. This dictionary is intended to have a dual purpose: to support the learning of literacy skills in the Vurës community, and as a reference work for linguists. There are four parts to the dictionary. The main part is the most comprehensive and provides the English and Bislama definitions of Vurës ...
Frames and constructions in metaphoric language shows how linguistic metaphor piggybacks on certain patterns of constructional meaning that have already been identified and studied in non-metaphoric language. Recognition of these shared semantic structures, and comparison of their roles in metaphoric and non-metaphoric constructions, make it possible to apply findings from Frame Semantics, Cognitive Grammar and Construction Grammar to understand how conceptual metaphor surfaces in language.
'A must read … a new analytical agenda for the Anthropocene, coherently drawing out the power of thinking with islands.' – Elena Burgos Martinez, Leiden University ‘This is an essential book. [The] analytics they propose … offer both a critical agenda for island studies and compass points through which to navigate the haunting past, troubling present, and precarious future.’ – Craig Santos Perez, University of Hawai’i, Manoa ‘All academic books should be like this: hard to put down. Informative, careful, sometimes devasting, yet absolutely necessary - if you read one book about the Anthropocene let it be this. You will never think of islands in the same way again.’ – Kimb...
Captures the magic and beauty of the Olympic Games.
This book studies representations of plants in contemporary American, English, and Australian poetry, addressing the relationship between poetic language and the subjectivity, agency, sentience, consciousness, and intelligence of vegetal life. It forwards an interdisciplinary model of 'botanical criticism' in examining the role of plants in contemporary poetic expression. Drawing from recent plant science and contributing to the new field of critical plant studies, Ryan redresses the lack of botanical emphasis in ecocriticism, ecopoetics, and the environmental humanities. This book will be of interest to the emerging areas of human-plant studies, critical plant studies, and cultural botany.