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Beyond Marginality
In a unique study of Anglo-Jewish writers in the post-war period, Dr. Sicher traces through their works the story of the rise of the Jewish community from slum poverty to suburban affluence. This period is one of crucial social change in Britain. At the same time, Dr. Sicher raises serious questions about the modern writer's cultural and ethnic identity. In this process, Dr. Sicher advances the thesis that, under the impetus of the Holocaust, the more traditional conflict between Jewish roots and assimilation has been succeeded by a reassessment of identity and morality. Dr. Sicher's perspective on this particular period of literature is a highly original one and it should provoke creative reconsideration of other contexts and times as well.
Modern British Playwriting: The 1950s
Essential for students of theatre studies, Methuen Drama's Decades of Modern British Playwriting series provides a comprehensive survey and study of the theatre produced in each decade from the 1950s to 2009 in six volumes. Each volume features a critical analysis and reevaluation of the work of four key playwrights from that decade authored by a team of experts, together with an extensive commentary on the period . Modern British Playwriting: The 1950s provides an authoritative and stimulating reassessment of the theatre of the decade together with a detailed study of the work of T.S Eliot (by Sarah Bay-Cheng) , Terence Rattigan (David Pattie), John Osborne (Luc Gilleman) and Arnold Wesker ...
Roots
It's 1958. Beatie Bryant has been to London and fallen in love with Ronnie, a young socialist. As she anxiously awaits his arrival to meet her family at their Norfolk farm, her head is swimming with new ideas. Ideas of a bolder, freer world which promise to clash with their rural way of life. Roots is the remarkable centrepiece of Wesker's seminal post-war trilogy. It was first performed in 1959 at the Belgrade Theatre, Coventry, before transferring to the Royal Court. It is the second play in a trilogy comprising Chicken Soup with Barley and I'm Talking About Jerusalem. It went on to transfer to the Duke of York's Theatre in the West End. A true classic, Roots is an affecting portrait of a young woman finding her voice at a time of unprecedented social change. This Modern Classic edition features an introduction by Glenda Leeming.
Paris Bride
"In July 1905, in Paris, a young woman, a bride, becomes Marie Schad. In April 1984, in London, Marie Schad is declared to be no more--indeed, to never have been, and returns to France. Paris Bride pursues this no-woman in a wild attempt to glimpse her face in the modernist crowd. With increasing desperation the pages of Stephane Mallarmé, Oscar Wilde, Franz Kafka, Virginia Woolf, Katherine Mansfield, Louis Aragon, André and Walter Benjamin are all ransacked for traces of Marie. What is pieced precariously together is an experimental life--a properly modernist life, a life that, by its very obscurity, lives the obscure life of modernism itself.
Arnold Wesker
The only collection of essays on one of Britain's Angry Young Men, this book contains discussions of most of Wesker's published plays with an emphasis on the more recent works. Essays reevaluate the plays that made Wesker a household name in Britain (the Trilogy, The Kitchen , and Chips with Everything). Clive Barker, co-director of Centre 42, gives a fresh account of that movement, and playwright Paul Levitt provides a previously unrecorded history of Caritas, Blood Libel, and Shylock. A personal profile of Wesker by novelist Margaret Drabble is reprinted from an earlier article. Original essays cover the theory and practice of theatre-Wesker's in-text stage directions, British television's...
Arnold Wesker
A broad reference on London Jewish playwright Wesker (b. 1932) and his work, considering the politics in his plays, biographical aspects, historical perspectives, critical approaches, and the critical response. The 18 original essays discuss the failure and promise of socialism as personal contact in Roots, writing for radio in Yardsdale, the modernity of The Kitchen, women in his later plays, and other topics. Annotation copyrighted by Book News, Inc., Portland, OR
Thomas Hardy and the Comic Muse
There has long been a tendency to regard Thomas Hardy as a great tragic writer and to ignore or underestimate the value of his comic works. This derives no doubt partly from the fact that comedy as an art form has been consistently undervalued ever since Aristotle dealt with it so slightly and so slightingly. It also stems from the evident inability of some readers and critics to allow an artist a wide scope and multiple voices. Thomas Hardy and the Comic Muse discusses the nature of comedy and the various theories that purport to explain or define it, and examines Hardy’s works — novels, short stories, and poetry — in terms of the categories of farce, humour, satire, and wit. It looks at where and why Hardy made use of these forms of comedy, what his historical sources were, and why this side of his work has been so frequently neglected. It also looks at what insights might be offered by Hardy — both directly and indirectly — to answer the difficult but always tantalizing question: what is comedy? The two subjects, Hardy and Comedy, are counterpointed throughout so that they prove to be mutually illuminating.
Cognitive principles, critical practice: Reading literature at university
This enquiry into the principles and practice of reading literature brings together insights from cognitive studies, literary theory, empirical literature studies, learning and teaching research and higher education research. Reading is conceptualised as an active process of meaning-making that is determined by subjective as well as contextual factors and guided by a sense of purpose. This sense of purpose, part of a professional and conscious approach to reading, is the central element in the model of reading that this study proposes. As well as a conceptual aim, this model also has pedagogical power and serves as the basis for a number of critical and creative exercises geared towards developing literary reading strategies and strategic reading competences in general. These activities demonstrate how the main tenets of the study can be put into practice within the context of a particular institution of higher education.
Theatre of Conscience 1939-53
Theatres of Conscience offers an invaluable and essential insight into four touring British theatre companies whose work and contributions to post-war British theatre have largely gone unnoticed. Combining a rigorous scholarly evaluation of their work and their broadly ideological and ethical contribution to wider post-war developments in British theatre. Peter Billingham offers the reader a unique insight into four companies which, motivated by enthusiasm, principles and creative innovation, sought to take the theatre of conscience to theatre-less communities in wartime Britain and during the following decade. Contemporaries of - amongst others - Joan Littlewood's Theatre Workshop, the Pilgrim Players, the Adelphi Players, the Compass Players and the Century Theatre represent a significant but rather overlooked phase in the development of twentieth-century British theatre.
The Private Garden
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