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Glenn Sujo
  • Language: en

Glenn Sujo

  • Type: Book
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  • Published: 1990
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  • Publisher: Unknown

None

Glenn Sujo
  • Language: en
  • Pages: 23

Glenn Sujo

  • Type: Book
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  • Published: 2014
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  • Publisher: Unknown

None

Legacies of Silence
  • Language: en
  • Pages: 140

Legacies of Silence

  • Categories: Art

Accompanying an exhibition at the Imperial War Museum, London, from 5 April to 27 August 2001, this volume examines the contribution of artist-witnesses, victims and survivors of the Holocaust to post-war culture and the visual arts.

Glenn Sujo
  • Language: en
  • Pages: 63

Glenn Sujo

  • Type: Book
  • -
  • Published: 1990
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  • Publisher: Unknown

None

Beyond MAUS
  • Language: en
  • Pages: 421

Beyond MAUS

  • Type: Book
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  • Published: 2021-08-09
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  • Publisher: Böhlau Wien

Beyond MAUS. The Legacy of Holocaust Comics collects 16 contributions that shed new light on the representation of the Holocaust. While MAUS by Art Spiegelman has changed the perspectives, other comics and series of drawings, some produced while the Holocaust happened, are often not recognised by a wider public. A plethora of works still waits to be discovered, like early caricatures and comics referring to the extermination of the Jews, graphic series by survivors or horror stories from 1950s comic books. The volume provides overviews about the depictions of Jews as animals, the representation of prisoner societies in comics as well as in depth studies about distorted traces of the Holocaust in Hergé's Tintin and in Spirou, the Holocaust in Mangas, and Holocaust comics in Poland and Israel, recent graphic novels and the use of these comics in schools. With contributions from different disciplines, the volume also grants new perspectives on comic scholarship.

Privatising Culture
  • Language: en
  • Pages: 352

Privatising Culture

  • Categories: Art
  • Type: Book
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  • Published: 2020-05-05
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  • Publisher: Verso Books

Corporate sponsorship and business involvement in the visual arts have become increasingly common features of our cultural lives. From Absolut Vodka's sponsorship of art shows to ABN-AMRO Bank's branding of Van Gogh's self-portrait to advertise its credit cards, we have borne witness to a new sort of patronage, in which the marriage of individual talent with multinational marketing is beginning to blur the comfortable old distinctions between public and private. Chin-tao Wu's book is the first concerted attempt to detail the various ways in which business values and the free-market ethos have come to permeate the sphere of the visual arts since the 1980s. Charting the various shifts in publi...

Testimonies of Resistance
  • Language: en
  • Pages: 581

Testimonies of Resistance

The Sonderkommando—the “special squad” of enslaved Jewish laborers who were forced to work in the gas chambers and crematoria of Auschwitz-Birkenau—comprise one of the most fascinating and troubling topics within Holocaust history. As eyewitnesses to and unwilling abettors of the murder of their fellow Jews, they are the object of fierce condemnation even today. Yet it was a group of these seemingly compromised men who carried out the revolt of October 7, 1944, one of the most celebrated acts of Holocaust resistance. This interdisciplinary collection assembles careful investigations into how the Sonderkommando have been represented—by themselves and by others—both during and after the Holocaust.

Controversies in Body Theology
  • Language: en
  • Pages: 257

Controversies in Body Theology

Examines some of the most extreme approaches to the body that our society engages with. This book embraces the difficult and challenging areas of the body and society, as an embodied resource for the ever-expanding task of considering the nature of incarnation through the lens of body theology.

Mnemosyne and Mars
  • Language: en
  • Pages: 390

Mnemosyne and Mars

This volume will be of interest to everyone seeking to understand the relationship between war as an historical narrative and its representation in the arts and in culture, notably in literature, film, theatre and music. More specifically, it will be of the greatest interest to undergraduates, postgraduates, researchers and academics in a wide range of disciplines, including literary studies, film and drama studies, music, and history. The Introduction, by Jay Winter, sets the context, particularly with reference to the First World War, while the Conclusion summarises the significance of the research undertaken and its value for future research. This book will also have an impact on writers, publishers and organizers of exhibitions, museums, memorial sites and monuments whose influence in the field of war and memory has been increasing steadily in recent years. The imminent celebrations and commemorations pertaining to the Great War, beginning in 2014, together with the imminence of the seventieth anniversary of the end of the Second World War in 2015, will provide additional stimuli to public attention in this area over the next few years.