You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Orofacial Pain: A Guide to Medications and Management brings together guidance and information on the rational use of medications for the treatment of chronic orofacial pain. Focusing on clinically relevant information throughout and aiming itself squarely at the needs of dentists and other clinicians working directly with orofacial pain, the book covers the use of oral, injectable and topical medications for managing neuropathic and musculoskeletal pain, headache, and uncommon orofacial pain disorders. Useful features, such as discussion of the top 60 medications prescribed for orofacial pain, are integrated with comprehensive coverage of drug types, pharmacolegal issues, and the interaction of medication management with other treatment strategies.
ALL MY LIFE I have been looking for a Man who has discovered the universal law which lies back of the Sermon on the Mount, and who consciously uses that law with full awareness of its meaning and full obedience to its principles. Tens of thousands preach it or write about it, yet have little understanding of its meaning. I doubt if there are many men in the whole world who actually know that cosmic basis sufficiently to live it knowingly. If I could find such a man, I thought to myself, he would be so cosmically aware of the Light of God that he would know the spiritual Cause of all Effect. Such a one would be a super-genius, for the hidden secrets of the universe would be his. He would see the universe as a whole and know his relationship to it and to God. All knowledge of Cause would be his, and the power to use it.
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology “from above” and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology “from below” and confronted white racism—the most intractable issue in America’s history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. In this second volume, Carr appeals to Monk’s tune “’Round Midnight” as the analogical framework for articulating the meaning between Christ, the cantus firmus, and the sociopolitical histories of Karl Barth and James Cone. Monk’s encouragement to “improvise on the melody” is heard as the melodic foundation for a new form of christological reflection.
None
"This publication presents in convenient form the authority, structure, functions, frequency of meetings, and membership of the NIH advisory committees." Arranged under Institute and Division served. Alphabetical indexes of public advisory groups and of members.
None