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This book examines how nations and other key participants in the global community address problems requiring collective action. The global community has achieved some successes, such as eradicating smallpox, but other efforts to coordinate nations' actions, such as the reduction of drug trafficking, have not been sufficient. This book identifies the factors that promote or inhibit successful collective action at the regional and global level for an ever-growing set of challenges stemming from augmented cross-border flows associated with globalization. Modern principles of collective action are identified and applied to a host of global challenges, including promoting global health, providing foreign assistance, controlling rogue nations, limiting transnational terrorism, and intervening in civil wars. Because many of these concerns involve strategic interactions where choices and consequences are dependent on one's own and others' actions, the book relies, in places, on elementary game theory that is fully introduced for the uninitiated reader.
Jesal has always been drawn to making beautiful connections with seemingly disparate ideas. She's been able to draw out the juxtaposition of two unrelated images in a haiku, giving birth to a new meaning, which combines two distinct thoughts into one. If we look at urban existence - its natural state of being is fraught with dissonance: the push and pull of expectations, the contradictions within roles, but Jesal sees connections and synergy with this seeming contradiction thru the haiku and tanka which reach out as perfect forms to Jesal, to express this state of modern living.Both--arising out of and also nestled within, this constant churn and thrum of life are nectar-like moments that ma...
This book presents a new paradigm for looking at conflict. Instead of seeing conflict as the force outside of us we must escape, avoid or control, this book invites the reader to look at the source of conflict, which is within each and every one of us.
A woman waits at an elusive platform amidst the abundance of nature with a melancholic yet supple desire. These poems by Madhumita have freed themselves from poetry's time-honored dependence on theories and techniques (propounded mostly by men and dutifully abided by women) as if a woman is confident enough to break all the barriers of a male dominated society (even the theories) to fly higher and still higher with the wings of poesy.
Light blooms as our grass-birth arises from the infinite depth of our memories. Some immigrant dreams, however, roam around the courtyards of the illusive past in the darkness. These poems by Akash are intense in their unique sensitivities, eager in their search of the submerged consciousness and incomparably deft in turning words into hymns.
The poems of Nirmalya are noteworthy for their grave, serious tone, for their architectonic beauty and harmony, for their love for the meditative solitariness of nature bordering on a pagan religiosity. The poem "Nature", a gem, a rare spark of Oriental genius; Nirmalya has absorbed almost the entire history of Bengali devotional literature into this masterpiece of linguistic art.
The minute the sneeze droplets hit the back of Rohan’s neck, he knew trouble was brewing. He tried not to alarm his family but couldn’t fool Manasi, his wife of 14 years. Manasi always trusted her gut, and her gut was telling her, ‘The worst is yet to come.’ It was the early days of the coronavirus pandemic. Mortality rates were high, terror had gripped the world as an unseen virus felled the population. Treatment was at best experimental, there was no vaccine in sight. As Rohan was kept alive by machines, Manasi, managing her own ill health and that of their three children also stricken with the virus, battled to save her husband from the confines of her quarantine. This is a tale of survival against all odds, all for love and family.
Jangam (Movement) is the poignant tale of ordinary people who embarked on a great, unknown journey in the midst of WWII but whose bids for survival were thwarted as they battled Nature. Hardly any account of this massive calamity has been registered in India’s literature, says Debendranath Acharya in the late 1970s, in the preface to his Sahitya Akademi award-winning Assamese novel. During this migration an estimated 450,000-500,000 Burmese Indians walked to north-east India, fleeing from the Japanese advance and also from escalating ethnic violence in the Burmese theatre of war. ‘Corpses lay everywhere, and there were no jackals and vultures to pick them clean... All other forms of animal life seem to have abjured this pathway, save for scores of beautiful butterflies that cover the bodies in a sea of colour’, say contemporary foreign accounts of this exodus. Jangam is the only sustained fictional treatment of this long march.
Outside Japan, the term ’manga’ usually refers to comics originally published in Japan. Yet nowadays many publications labelled ’manga’ are not translations of Japanese works but rather have been wholly conceived and created elsewhere. These comics, although often derided and dismissed as ’fake manga’, represent an important but understudied global cultural phenomenon which, controversially, may even point to a future of ’Japanese’ comics without Japan. This book takes seriously the political economy and cultural production of this so-called ’global manga’ produced throughout the Americas, Europe, and Asia and explores the conditions under which it arises and flourishes; ...
Given the new-found importance of the commons in current political discourse, it has become increasingly necessary to explore the democratic, institutional, and legal implications of the commons for global governance today. This book analyses and explores the ground-breaking model of the commons and its relation to these debates.