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The typists and the tiger
THE STORIES: THE TYPISTS. When Paul Cunningham reports for work addressing postcards for a mail-order house, he makes it clear to his fellow worker, Sylvia Payton, that his employment is strictly temporary. Paul, a married man, is studying law at n
The Governance of Kings and Princes
This is the first edition of the Middle English version of an influential treatise on governance entitled De Regimine Principum. The first volume contains a critical text of the Middle English prose and second will provide an introduction, textual notes and a glossary. Aegidius Romanus (Giles of Rome), an Augustinian friar and professor of theology at the University of Paris, composed the Latin treatise that underlies the Middle English text toward the end of the reign of the French king Philip III (1270-85). The work was addressed to the king’s son, who succeeded his father as Philip IV, know as "the Fair" (1285-1314). This edition first published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
The Road to Nowhere
In the 2016 spring semester, the Patrick, Tannenhaus, Hernandez Sophomore team embarked upon a journey. A journey to discover what drives people to move. Focusing on U.S./Latin-American immigration during the twentieth and twenty-first centuries, students were exposed to an array of perspectives and policies. Combining Spanish and Humanities, language and culture; preconceptions were challenged and minds opened. Forming groups, students selected a Latin-American country and attempted to get inside the minds of those affected by immigration. Often victims of more powerful forces, the immigrant's story is rarely told. Through works of historical fiction, students revealed why immigrants leave their homeland, what they experience on their journey, and how their life is altered once in the U.S."
In Search of Shelter
The fiction of French post-colonial writer Paule Constant is remarkable in its lurid and disturbing portrayals of female characters suffering in profoundly oppressive 'colonizing' circumstances. In In Search of Shelter: Subjectivity and Spaces of Loss in the Fiction of Paule Constant, author Margot Miller skillfully synthesizes Karen Horney's model of submission, aggression and withdrawal, Jean Baker Miller's concept of relational being, Julia Kristeva's idea of psychic space, and Kelly Oliver's notions on social support to analyze Constant's work. Miller's close reading also brings to light previously unnoticed mythological references in Constant's fiction which illuminate the characters' psychological realities, and examines Constant's nuanced treatment of violence through language. In Search of Shelter: Subjectivity and Spaces of Loss in the Fiction of Paule Constant reveals the myriad intersections of interpersonal and cognitive psychology, mythological and cultural awareness, literature, and lived experience, and suggests new ways of reading these and other works of fiction.
Women's Acts
The plays are in Spanish. Los papeles están en el español.
A Modern Miscellany
In A Modern Miscellany: Shanghai Cartoon Artists, Shao Xunmei’s Circle and the Travels of Jack Chen, 1926-1938 Paul Bevan explores how the cartoon (manhua) emerged from its place in the Chinese modern art world to become a propaganda tool in the hands of left-wing artists. The artists involved in what was largely a transcultural phenomenon were an eclectic group working in the areas of fashion and commercial art and design. The book demonstrates that during the build up to all-out war the cartoon was not only important in the sphere of Shanghai popular culture in the eyes of the publishers and readers of pictorial magazines but that it occupied a central place in the primary discourse of Chinese modern art history.
Manhua Modernity
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.
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Metacinema in Contemporary Chinese Film
Depictions within a movie of either filmmaking or film watching are hardly novel, but the dramatic expansion of the reach of the metacinematic into contemporary Chinese cinemas is nothing short of remarkable. To G. Andrew Stuckey, the prevalence of metacinematic features forms the basis of a discourse on film arising from the films themselves. Such a discourse, in turn, outlines the boundaries of the possible for film in China as aesthetic or sociopolitical practice. Metacinema also draws our attention to the presence of the audience, people actively responding to a film. In elucidating the affective responses elicited by the metacinematic mode in the viewers, Stuckey argues that metacinema ...
