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Figures of Speech
Over the past two hundred years, thousands of ancient Greek vases have been unearthed. Yet these artifacts remain a challenge: what did the images depicted on these vases actually mean to ancient Greek viewers? In this long-awaited book, Gloria Ferrari uses Athenian vases, literary evidence, and other works of art from the Archaic and Classical periods (520-400 B.C.) to investigate what these items can tell us about the ancient Greeks—specifically, their notions of gender. Ferrari begins by developing a theoretical perspective on visual representation, arguing that artistic images give us access to how their subjects were imagined rather than to the way they really were. For instance, Ferr...
Alcman and the Cosmos of Sparta
The Partheneion, or “maiden song,” composed in the seventh century BCE by the SpartanpoetAlcman, is the earliest substantial example of a choral lyric. A provocative reinterpretation of the Partheneion and its broader context, Alcman and the Cosmos of Sparta excavates the poem’s invocations of widespread and long-lived cosmological ideas that cast the universe as perfectly harmonious and invested its workings with an ethical dimension. Moving far beyond standard literary interpretations, Gloria Ferrari uncovers this astral symbolism by approaching the poem from several angles to brilliantly reconstruct the web of ancient drama, music, religion, painting, and material culture in which i...
Haverford College Collection of Classical Antiquities
In 1989 Ernest Allen bequeathed a fine collection of 25 classical vases and terracottas to Haverford College. The range of objects includes a Mycenean stirrup jar, a selection of black- and red-figure vases, a white-ground lekythos, several fine archaic terracottas, and two Duver plaques with colorful striding griffins. Dr. Ashmead presents an overview of each object and its significance along with a scholarly approach to complete detailed descriptions and comparanda. Each piece is illustrated by black-and-white photographs.
The Lamb Christology of the Apocalypse of John
"What did ""Lamb"" symbolize in the ancient near Eastern world? What did it convey to the first-century audience of the Revelation? And why did the author use this symbol? Loren J. Johns analyzes the symbolic meaning of apviov in the Apocalypse of John as the Central feature of the Christology of Revelation."
The Bible After Deleuze
The impact of Gilles Deleuze on critical thought in the opening decades of the twenty-first century rivals that of Jacques Derrida or Michel Foucault on critical thought in the closing decades of the twentieth. The Deleuze and... industry is in overdrive in the humanities, the social sciences, and beyond, busily connecting Deleuzian philosophy to everything from literature to architecture, metaphysics to mathematics, ethics to physics, sexuality to technology, and ecology to theology. What of Deleuze and the Bible? What does the Bible become when it is plugged into the Deleuzian corpus? An immense affective assemblage, among other things. And what does biblical criticism become in the proces...
Wax Tablets of the Mind
Jocelyn Small's erudite volume represents a timely insight into the topical areas of literacy and memory, and provides a controversial and challenging analysis of the cognitive processes and their modes of display and retrieval.
A Moment's Ornament
Nympholeptic goddesses at the end of the theogony -- Nympholepts in ancient Greece -- Goddesses in love and nympholeptic heroes -- Odysseus nympholeptos -- Kephalos in the city -- Hellenistic nympholeptoi
The Age of Subtlety
A craze for intricate metaphors, referred to as conceits, permeated all forms of communication in seventeenth-century Italy and Spain, reshaping reality in highly creative ways. The Age of Subtlety: Nature and Rhetorical Conceits in Early Modern Europe situates itself at the crossroads of rhetoric, poetics, and the history of science, analyzing technical writings on conceits by such scholars as Baltasar Gracián, Matteo Peregrini, and Emanuele Tesauro against the background of debates on telescopic and microscopic vision, the generation of living beings, and the boundaries between the natural and the artificial. It contends that in order to understand conceits, we must locate them within the early modern culture of ingenuity that was also responsible for the engineer’s machines, the juggler’s sleight of hand, the wiles of the statesman, and the discovery of truths about nature.
Myth and History: Close Encounters
The fluidity of myth and history in antiquity and the ensuing rapidity with which these notions infiltrated and cross-fertilized one another has repeatedly attracted the scholarly interest. The understanding of myth as a phenomenon imbued with social and historical nuances allows for more than one methodological approaches. Within the wider context of interdisciplinary exchange of ideas, the present volume returns to origins, as it traces and registers the association and interaction between myth and history in various literary genres in Greek and Roman antiquity (i.e. an era when the scientific definitions of and distinctions between myth and history had not yet been perceived as such, let ...
