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Gloria Jean
Here is the first book-length biography of Gloria Jean, one of Hollywood's finest performers, who starred in film, radio, stage, nightclub, and television productions. And what a story it is! This is the first in-depth profile of her public and private life. You'll read about her co-stars, including Bing Crosby, Groucho Marx, Donald O'Connor, and Mel Tormé go behind the scenes on the set of Never Give a Sucker an Even Break and meet W. C. Fields, her "Uncle Bill" follow her memorable show-business career with its breathtaking heights and heartbreaking depths, guided-and sometimes misguided-by the studio enjoy dozens of rare photos from Gloria Jean's personal collection browse vintage posters and lobby cards. As a special treat for film buffs, you'll see actual frame enlargements of never-before-seen screen tests and discover three lost Gloria Jean feature films, documented here for the first time anywhere!
Snapshots of an Inner City School
Driving down the alley between the Continuous Learning Center (CLC) and the Laundromat, I was filled with excitement and trepidation. I wondered if my twelve years of experience had prepared me for the challenges of working at an alternative school? Would these high school inner city kids accept a middle class teacher with an elementary school background? Well whatever the outcome, I knew that my destiny was here. I first walked down the halls of CLC 14 years earlier. As a part of my training for an undergraduate degree in special education, I was required to observe emotionally handicapped and socially maladjusted students at this inner city school.
Gloria Jean
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European Drawings 2
The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.
The Severed Head
Renowned philosopher and cultural theorist Kristeva (Powers of Horror: An Essay on Abjection) offers an extended consideration of artistic figurations of the severed head, the organizing theme to an exhibition she coordinated at the Louvre in 1998. Though she follows a single historical trajectory, moving from Paleolithic skull cults to antique Greek sculpture to the Surrealist drawings, Kristeva eschews the disciplinary constraints of art history, instead employing psychoanalysis to explore the intertwined problems of representation and mortality posed by the severed head. For Kristeva, the capacity to figure the life of the mind first requires a confrontation with this horrific object that...
European Drawings 1
Within a short time the Department of Drawings has acquired impressive holdings of European works on paper. This volume, the first in a series intended to keep scholars apprised of acquisitions, contains 149 entries on Italian, French, Flemish, Dutch, and other works ranging in date from the Renaissance through the nineteenth century. Artists represented include Rembrandt, Cezanne, Blake, Goya, Dürer, Savery, Rubens, Millet, Veronese, Caravaggio, Raphael, and numerous others. All drawings are illustrated at full-page size.
Giacomo Puccini
Opera recordings have been with us since the creation of the first wax cylinders. Now at a time when the 25-year reign of the compact disc appears to be coming to an end is the moment to take stock of the history of recordings of arguably the most popular composer of operas, Giacomo Puccini. In Giacomo Puccini: A Discography, librarian and music historian Roger Flury looks at each opera chronologically from Le Villi to Turandot, followed by sections on Puccini's instrumental, chamber, orchestral, and solo vocal works. Details of each complete opera are listed by recording date, followed by excerpts in the order in which they occur in the opera. Recordings of each aria are listed alphabetical...
Giovanni Pierluigi da Palestrina
First Published in 2002. This guide introduces students and scholars to the literature on Palestrina as well as the complicated history of the publication of his works. This bibliography is divided into four primary sections: historical background on musical, social, and cultural life; biographical literature; studies of sources, music, and style; and reception history. They are divided roughly into the periods dating from Palestrina's lifetime to about 1750; from about 1750 to about 1914; from 1914 to the present. This title also contains historical research on performance conditions and practices as they would have applied in Palestrina's time.
