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Faces of Goa
A work comprising three sections, rich with exclusive information and facts related to culture and history of Goa, its socio-economic facts, new dynamics of cultural patterns and evolution under the impact of rural urban migration, and dynamics of west coast under the presence of the Portuguese.
Goa
With the liberation of Goa, Daman and Diu from the Portuguese, the people of these territories entered once again into the mainstream of Indian society. Goa now has the dual task of breaking from the bleak past and of participating in the process of nation-building and economic development. Professor R.N. Saksena attempts in this book some aspects of the problem of emotional and national integration of the Goans. The study was sponsored by RPC, Planning Commission. It is based on the analysis of considerable secondary data and of the responses obtained from a sample of 1200 persons drawn from Old Goa and New Conquests. Professor Saksena examines the questions related to language, economic re...
Goa and Portugal
Papers presented at the 2nd Conference on "Goa and Portugal: History and Development" held in Goa during Sept. 6-9, 1999.
Kaleidoscope of Women in Goa, 1510-1961
A study of the life styles of women both Christian and non-Christian in Goa, India.
Goa and Portugal
Collection of twenty-one papers presented at an international symposium on the theme "cultural relations between Portugal and Goa" at the University of Cologne, 29 May-2 June 1996; chiefly covers the 16th-18th centuries.
Window on Goa
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Heritage and Design
This Element looks at the relationship between heritage and design by way of a case study approach. It offers up ten distinct portraits of a range of heritage makers located in Goa, a place that has been predicated on its difference, both historical and cultural, from the rest of India. A former Portuguese colonial enclave (1510–1961) surrounded by what was formerly British India (1776–1947), the author attempts to read Goa's heritage as a form of place-ness, a source of inspiration for further design work that taps into the Goa of the twenty-first century. The series of portraits are visual, literary, and sensorial, and take the reader on a heritage tour through a design landscape of villages, markets, photography festivals, tailors and clothing, books, architecture, painting, and decorative museums. They do so in order to explore heritage futures as increasingly dependent on innovation, design, and the role of the individual.
