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From the contents: Christine MATZKE: Comrades in arts and arms: stories of wars and watercolours from Eritrea. - Sabine MARSCHALL: Positioning the other': reception and interpretation of contemporary black South African artists. - Kristine ROOME: The art of liberating voices: contemporary South African art exhibited in New York. - Jonathan ZILBERG: Shona sculpture and documenta 2002: reflections on exclusions.
"In this splendid book, David Roediger shows the need for political activism aimed at transforming the social and political meaning of race…. No other writer on whiteness can match Roediger's historical breadth and depth: his grasp of the formative role played by race in the making of the nineteenth century working class, in defining the contours of twentieth-century U.S. citizenship and social membership, and in shaping the meaning of emerging social identities and cultural practices in the twenty-first century."—George Lipsitz, author of The Possessive Investment in Whiteness "David Roediger has been showing us all for years how whiteness is a marked and not a neutral color in the history of the United States. Colored White, with its synthetic sweep and new historical investigations, marks yet another advance. In the burgeoning literature on whiteness, this book stands out for its lucid, unjargonridden, lively prose, its groundedness, its analytic clarity, and its scope."—Michael Rogin, author of Blackface, White Noise
National identity is not some naturally given or metaphysically sanctioned racial or territorial essence that only needs to be conceptualised or spelt out in discursive texts; it emerges from, takes shape in, and is constantly defined and redefined in individual and collective performances. It is in performances'ranging from the scenarios of everyday interactions to `cultural performances? such as pageants, festivals, political manifestations or sports, to the artistic performances of music, dance, theatre, literature, the visual and culinary arts and more recent media'that cultural identity and a sense of nationhood are fashioned. National identity is not an essence one is born with but som...
Catalog for the Hayward Gallery's touring exhibition of their show featuring 2000 years of Indian sculpture. This is a distribution-only title for which there are no supporting materials.
The contributors to this book focus on collage and appropriation art, exploring the legal ramifications of such practices in an age when private companies can own culture using copyright and trademark law.
This thoroughly revised and updated second edition of The Visual Culture Readerbrings together key writings as well as specially commissioned articles covering a wealth of visual forms including photography, painting, sculpture, fashion, advertising, television, cinema and digital culture. The Readerfeatures an introductory section tracing the development of visual culture studies in response to globalization and digital culture, and articles grouped into thematic sections, each prefaced by an introduction by the editor and conclude with suggestions for further reading.
This fully revised directory of international foundations, trusts, charitable and grantmaking NGOs and other similar non-profit institutions provides a comprehensive picture of foundation activity on a worldwide scale. Now in its 32nd edition, The Europa International Foundation Directory includes: Information on some 2,700 organizations, organized by country or territory, including details of funding priorities and projects, geographical area of activity, principal staff and contact details Details of co-ordinating bodies and centres that assist foundations, grantmaking organizations and other NGOs Bibliography Comprehensive index section This new edition has been revised and expanded to include the most comprehensive and up-to-date information on this growing sector.
Since the 1960s, a number of artists have challenged the image of the lonely artist by embarking on long term collaborations that dramatically altered the terms of artistic identity. In this book, Green offers a sustained critical examination of collaboration in international contemporary art.
Published to accompany exhibition at Tate Britain, 6 July - 24 September 2000.
Edited by Ingvild Goetz and Rainald Schumacher. Essays by Kirsty Bell, Francesco Bonami, Beth Coleman, Adrian Dannatt, Isabelle Graw, Hans Rudolf Reust, Birgit Sonna, Wolf Gunter Thiel and Benjamin Weissman. Interview by Jessica Morgan. Artists include: Ellen Gallagher, Toba Khedoori, Karen Kilimnik, Udomsak Krisanamis, Sarah Morris, Chris Ofili, Laura Owens, Lari Pittman, Matthew Ritchie.