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Medieval Goldsmiths
Goldsmiths were among the most highly regarded craftsmen in the medieval world, making extravagant objects from precious gold and silver, often enriched with rare stones and engraved gems. As well as royal and aristocratic patrons, much of their work was created for the Church, as it was thought that 'such display praised God'. For this reason many pieces that survive today were preserved in the treasuries of churches, where they escaped the ravages of history. In this wonderfully illustrated book, John Cherry explores the goldsmith's craft through works in the British Museum and from collections around the world. The British Museum holds some of the most splendid examples of medieval goldsm...
Secular Goldsmiths' Work in Medieval France
This study by Mr. R.W. Lightbown is the product of considerable research and deals with the gold and silver secular plate of medieval France from the historical, antiquarian, artistic and iconographical standpoints. It contains a corpus of all the surviving examples, bringing out the central role played by France in the history of Gothic art and medieval social life.
Treasure in the Medieval West
Studies highlight the importance of treasure, real and metaphorical, in medieval culture.
Goldsmiths
Explains the connection between goldsmiths and monasteries, describes the work of goldsmiths, and looks at their materials, methods, and finished work
The splendour of power
From the 5th to the 7th century AD, the southern North Sea area functioned as an important cultural and political bridge, linking two power blocks: the late Roman Empire and its Frankish successor kingdom to the south, and the Scandinavian kingdoms to the north. This book examines how the region's intermediary position is reflected in the jewellery and other ornaments of gold and silver found along the southern North Sea coasts, and how it relates to the formation of kingdoms and the expression of group identity after the collapse of the West-Roman Empire. The book first discusses the history of earlier research into kingship around the southern North Sea, and this is followed by a descripti...
Toward an Art History of Medieval Rings
Toward an Art History of Medieval Rings gives a full survey of Merovingian, Byzantine, Medieval, and Renaissance rings ranging in date from around 300 to 1600 AD. They include marriage rings, seal rings, stirrup rings, tart mould rings, iconographic rings, merchant rings, and gemstone rings, and are arranged chronologically.
Take this Ring
Rings are at once the most intimate forms of jewelry and personal forms of art. This book focuses on approximately fifty rings from a distinguished private collection, tracing the ways that rings of the Middle Ages and Renaissance came to be meaningful. From the mine to the modern collection and through the forge, the goldsmith's shop, and the hands of successive generations of owners, these rings underwent journeys that lent them multifaceted and often multilayered resonances. This book explores these pathways and examines how people throughout history have interacted with multiple aspects of these small but remarkably complex objects. An introduction by Diana Scarisbrick supplements this biography of rings by investigating five prominent ring enthusiasts whose lives, interests, and collections have played prominent roles in the development of the modern appraisal of rings, while providing a chronological sequence for the rings in this book. A catalog of the rings, including their technical details, accompanies the text.
