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Art Work
By exposing the separation of art and labour, Art Work provides a valuable, historical perspective on the present-day struggle for artists' rights.
A Slow Burning Fire
Yugoslavia's diverse and interconnected art scenes from the 1960s to the 1980s, linked to the country's experience with socialist self-management. In Yugoslavia from the late 1960s to the late 1980s, state-supported Student Cultural Centers became incubators for new art. This era's conceptual and performance art--known as Yugoslavia's New Art Practice--emerged from a network of diverse and densely interconnected art scenes that nurtured the early work of Marina Abramovi&ć, Sanja Ivekovi&ć, Neue Slowenische Kunst (NSK), and others. In this book, Marko Ili&ć offers the first comprehensive examination of the New Art Practice, linking it to Yugoslavia's experience with socialist self-management and the political upheavals of the 1980s.
Alienation Effects
Examines the interplay of artistic, political, and economic performance in the former Yugoslavia and reveals their inseparability
Mathematical, Theoretical And Phenomenological Challenges Beyond The Standard Model: Perspectives Of The Balkan Collaborations
This book contains invited lectures and shorter contributions to the workshop 'Mathematical, Theoretical and Phenomenological Challenges Beyond the Standard Model: Perspectives of the Balkan Collaborations' (BW2003), which was held in Vrnjacka Banja, Serbia, 29 August - 3 September. It was one of the first high-level HEP workshops in the South-East European region after many years, and the papers give a clear perspective on the scientific potential of this area.The contributions cover topics and problems under research in high-energy particle physics and quantum field theory, in particular: string theory and M-theory; grand unification; quantum gravity and cosmology; standard and noncommutat...
Postmodernism and the Postsocialist Condition
The Berlin Wall was coming down, the Soviet Union was dissolving, Communist China was well on its way down the capitalist path. Artists, seeing it all first-hand, responded with a revolution of their own. What form this revolution took emerges in this volume.
Particle Physics in the New Millennium
The traditional purpose of the Adriatic Meeting is to present most advanced scienti?c research conducted by the lecturers who take part in the development of their ?elds and, in addition, to provide a school-like atmosphere for young scientists. Dubrovnik, as a geographical centre of this region of Europe, provided a most adequate location for this conference. Having very agreeable surroundings, the conference site nevertheless gave a focus for very strong scienti?c interaction. The subjects chosen for the 8th meeting, in September 2001, were gauge theories, particle phenomenology, string theories and cosmology. We were able to bring together a very good cross section of outstanding scientis...
Impossible Histories
The first critical survey of the largely unknown avant-garde movements of the former Yugoslavia.
The Culture of Curating and the Curating of Culture(s)
How curating has changed art and how art has changed curating: an examination of the emergence contemporary curatorship. Once considered a mere caretaker for collections, the curator is now widely viewed as a globally connected auteur. Over the last twenty-five years, as international group exhibitions and biennials have become the dominant mode of presenting contemporary art to the public, curatorship has begun to be perceived as a constellation of creative activities not unlike artistic praxis. The curator has gone from being a behind-the-scenes organizer and selector to a visible, centrally important cultural producer. In The Culture of Curating and the Curating of Culture(s), Paul O'Neil...
Madness in the Making
"A fascinating history of the unexpected intersection of science, technology and show business." -John Steele Gordon, author of Hamilton's Blessing "Once upon a time, American know-how flourished through show-how: spectacular demonstrations by ever resourceful technological entrepreneurs. David Lindsay brings back these glorious (and sometimes infamous) theatricals in a delightful, witty, narrative with a serious point: the American inventor, now relegated to endless rehearsals, needs to resume a rightful place on the national center stage. For admirers and critics of technology and for veteran and inspiring inventors, Madness in the Making will give pleasure and inspire debate." -Edward Tenner. Author of Why Things Bite Back
