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The book that “has helped to make transnational analyses of reproductive labor central to our understanding of race and gender in the twenty-first century” (Angela Y. Davis, author of Freedom Is a Constant Struggle). Illegal. Unamerican. Disposable. In a nation with an unprecedented history of immigration, the prevailing image of those who cross our borders in search of equal opportunity is that of a drain. Grace Chang’s vital account of immigrant women—who work as nannies, domestic workers, janitors, nursing aides, and homecare workers—proves just the opposite: the women who perform our least desirable jobs are the most crucial to our economy and society. Disposable Domestics high...
What kind of animal is he? This is the story of Jin Jin the Dragon.
This volume presents a variety of unique perspectives on mothering as a socially constructed relationship, assessing many of the political, legal and cultural debates surrounding the issue.
Many stars from China, Japan and Korea are the most popular and instantly recognizable in the world. East Asian Film Stars brings together some of the world's leading cinema scholars to offer their insights into the work of regional and transnational screen legends, contemporary superstars and mysterious cult personas.
A ground-breaking volume of all new essays covering the conjunction of two topics--feminism and families--that, for all their centrality in our culture, have not been adequately examined in light of one another. While the family has suffered feminist neglect, most women are in fact members of families, living their lives within the social context of families, even at a time when the concept of "family" has become bewilderingly unstable. The intersection of families and feminism is thus one in need of philosophical reflection, as a basis both for good public policy and for the ethical relationships of intimate life.
Starting with the first "Western shadow plays" shown in the late 1890s, motion pictures have played a significant role in China's cultural existence for more than a century. Initially centered in Shanghai, Chinese cinema boomed in Hong Kong in the 1930s, aided by the advent of talkies and the influx of talent and investment from mainland China, Southeast Asia, and America. From the late 1940s, the territory supplanted Shanghai as the "Hollywood of China." In Hong Kong Cinema: A Cross-Cultural View, authors Law Kar and Frank Bren follow the story from Hong Kong's early silent, Chuang Tsi Tests His Wife, through the martial arts craze of the 1970s, to the medium's continued appeal to contemporary international audiences. Rather than provide a sweeping history, the authors focus on the impact of individual personalities, particularly local filmmakers and movie stars. They also consider Eastern and Western influences and examine major developments, including the changing role of women. By profiling key figures and events of the 20th century, this overview is the perfect introduction for anyone interested in Hong Kong's contribution to world cinema. Illustrated with photos.
A unique study of the film musical, a global cinema tradition.
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An autobiography of Grace Kenning Chang, a young Bostonian who served the Lord as a missionary in China and Indonesia.
A reader for a two-quarter seminar on race, class, and gender in family scholarship. Selections shed light on debates in family diversity, revealing that in every historical period, the US has had several distinct but interconnected family systems, all of which form part of a larger constellation of power relations, unequal access to resources, and struggles over ideological representations of family life. Topics include American Indians and the boarding school experience, social science theorizing for Latino families, gay and lesbian families, and biracial identity. No index. Annotation copyrighted by Book News, Inc., Portland, OR