Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Mom Milestones
Mom records her baby's milestones, but what about her own? Where is the celebration of mom's transformation? Beginning with one-day-old mom, who may feel like she is learning a new language, Mom Milestones is a love letter to the myriad ways moms grow and adapt to motherhood. Here are significant firsts: First sleepless night. First walk with baby. First mom friend. Skills learned—how to soothe baby (sometimes); how to coax a preschooler into taking medicine. Mom's likes (adapting pop songs to lullaby format; gathering intelligence from other moms) and dislikes (emptying the lunch box with mystery smells; requests for video games). There's Bedtime: The Board Game; crafts mom enjoys (no glitter or glue, thanks!); and the ABCs of motherhood (E for ennui). While there might not be a road map for motherhood, Mom Milestones tracks both the memorable and slightly forgettable guideposts along the way—sunrises, snack plates, cuddles, laughter, and astonishment—because, as the saying goes, the days are long, but the years are short.
The Art of the Reprint
The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by four extraordinary twentieth-century illustrators. It focuses especially on four reprints: a 1929 edition of Thomas Hardy's The Return of the Native (1878) with engravings by Clare Leighton, a 1930 edition of Herman Melville's Moby Dick (1851) with images by Rockwell Kent, a 1943 edition of Charlotte Brontë's Jane Eyre (1847) with woodblocks by Fritz Eichenberg, and a complete set of Jane Austen's novels (1786-1817) illustrated from 1957 to 1974 by Joan Hassall. Taken together, these reprints are indicative of a legacy crafted from historical distance, through personal, political, and artistic circumstance, and for a new century. With biographical, archival, and art- and literary-historical sources as well as close readings of images and texts, this is a richly illustrated account of how artists reinvent canons for the general reader.
Washington County Revisited
A companion to Images of America: Washington County, this book, Washington County Revisited, depicts more of the areas rich history. In an attempt to thoroughly cover this county in Virginia, Washington County Revisited explores the history of settlements that were once major community centers, including Lodi, Blackwells Chapel, Rich Valley, Lindell, Bethel, Taylors Valley, Hayters Gap, Clinchburg, and Alvarado. Learn even more of the fascinating history surrounding the railroad towns of Damascus, Glade Spring, and Meadowview. Officially formed in 1776 from Fincastle County, the county was named for Gen. George Washington, who was then serving as commander in chief of the Continental Army. Washington County holds the distinction of being the first geographical region to be named for the first U.S. president. With more than 200 images, Washington County Revisited provides a unique visit to this rural region that once served as a gateway to the West along the Great Wagon Road and saw thousands of settlers and goods pass through to uncharted lands.
Hunger
Nadine Charleston had a career, a brilliant son on college scholarship, and friends as close as siblings. Gerald Phillips was one of the best tax attorneys in the country more than halfway up the fast track. When mutual friends brought these no-nonsense people together, there was electricity, but it was a negative charge. However life continued to push these strong wills together, forcing them to face the wonderful and not so wonderful things in their lives. With the help of Grace, Doc, Katie, Gregory, and the unstoppable Mother Farris the lesson rang through. In this story, the hunger for love, like the hunger for the wonderful food in this book, will not be denied. Bonus: recipes for some of the dishes in Hunger in the back! Enjoy!
The Art of Brasília
People from outside of Brasília often dismiss Brazil’s capital as socially divided, boring, corrupt, and emotionally cold. Apparently its founders created not a vibrant capital, but a cultural wasteland. However, as Sophia Beal argues, Brasília’s contemporary artists are out to prove the skeptics wrong. These twenty-first-century artists are changing how people think about the city and animating its public spaces. They are recasting Brasília as a vibrant city of the arts in which cultural production affirms a creative right to the city. Various genres—prose, poetry, film, cultural journalism, music, photography, graffiti, street theater, and street dance—play a part. Brasília’s initial 1960s art was state-sanctioned, carried out mainly by privileged, white men. In contrast, the capital’s contemporary art is marked by its diversity, challenging norms about who has a voice within the Brasília art scene. This art demystifies the capital’s inequities and imagines alternative ways of inhabiting the city.
Assembly
None
Editor & Publisher
None
Volume 3, Issue 1, an issue of Hospital Medicine Clinics, E-Book
This online Clinics series provides evidence-based answers to clinical questions the practicing hospitalist faces daily. The ninth issue in our growing online database, edited by David Wooldridge, covers essential updates in the following topics: tuberculosis, urinary tract infections, delirium, anemia, and more.
