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Cities of God traces urban culture of north America and Western Europe during the 1970s, to ask how theology can respond to the postmodern city. Since Harvey Cox published his famous theological response to urban living during the mid-1960s very little has been written to address this fundamental subject. Through analyses of contemporary film, architecture, literature, and traditional theological resources in Augustine and Gregory of Nyssa, Graham Ward lays out a systematic theology which has the preparation and building of cities as its focus. This is vital reading for all those interested in theology and urban living.
How the Light Gets In: Ethical Life I presents a systematic account of the teachings of the Christian faith to offer a vision, from a human, created, and limited perspective, of the ways all things might be understood from the divine perspective. It explores how Christian doctrine is lived, and the way in which beliefs are not simply cognitive sets of ideas but embodied cultural practices. Christians learn how to understand the contents of their faith, learn the language of the faith, through engagements that are simultaneously somatic, affective, imaginative, and intellectual. In the first of four volumes, Graham Ward examines the complex levels of these engagements through three historical...
Every age needs to examine and propose its ways of living ethically. This volume constructs a mode of such living according to the Christian tradition, based upon an interpretation of Christ's coming and the relationship of that incarnation to God as the Creator of all things.
Why believe? What kinds of things do people believe in? How have they come to believe them? And how does what they believe - or disbelieve - shape their lives and the meaning the world has for them? For Graham Ward, who is one of the mostinnovative writers on contemporary religion, these questions are more than just academic. They go to the heart not only of who but of what we are as human beings. Over the last thirty years, our understandings of mind and consciousness have changed in important ways through exciting new developments in neuroscience. The author addresses this quantum shift by exploring the biology of believing. He offers sustained reflection on perception, cognition, time, emotional intelligence, knowledge and sensation. Though the 'truth' of belief remains under increasing attack, in a thoroughly secularised context, Ward boldly argues that secularity is itself a form of believing. Pointing to the places where prayer and dreams intersect, this book offers a remarkable journey through philosophy, theology and culture, thereby revealing the true nature of the human condition.
This Companion provides a definitive collection of essays on postmodern theology, drawing on the work of those individuals who have made a distinctive contribution to the field, and whose work will be significant for the theologies written in the new millennium. The definitive collection of essays on postmodern theology, drawing on the work of those individuals who have made a distinctive contribution to the field. Each essay is introduced with a short account of the writer's previous work, enabling the reader to view it in context. Discusses the following desciplines: Aesthetics, Ethics, Gender, Hermeneutics, Phenomenology, Heideggerians, and Derrideans. Edited by Graham Ward, one of the most outstanding and original theologians working in the field today.
What we imagine can crush us or create us, destroy us or heal us; it can pitch us into battles with demons or set us among the songs of angels. It has roots beneath consciousness and is expressed in moods, rhythms, tones and textures of experience that are as much mental as physiological. In his new book, a sequel to the earlier Unbelievable, one of Britain's most exciting writers on religion here presents a nuanced and many-dimensional portrait of the mystery and creativity of the human imagination. Traversing landscapes that are both physical and emotional, palpable and intangible, the author enlists the company of fellow-travellers William Wordsworth, William Turner, Samuel Palmer and Ral...
Graham Ward is well known for his thoughtful engagement with postmodernism and contemporary critical theology. In this publication he provides a broader audience with an engaging account of the inherently political nature of postmodernity and thoughts on what it means to live the Christian faith within that setting. Ward provides an accessible guide to contemporary postmodernism and its wide-ranging implications and develops a model of discipleship that informs a faith seeking understanding, which Ward describes as 'the substance of the church's political life'.
Radical Orthodoxy is a new wave of theological thinking that aims to reclaim the world by situating its concerns and activities within a theological framework, re-injecting modernity with theology. This collection of papers is essential reading for anyone eager to understand religion, theology, and philosophy in a completely new light.
Theological Reflections: Methods, offers a comprehensive collection of models of theological reflection. By bringing this diverse collection together in one place, the editors create a unique reference work that allows a clear and visible contrast and comparison as each model is treated formally and in a standard format. Throughout each chapter the distinguishing features of the model are examined, the geneology and origins are discussed, worked examples of the model applied to contemporary theology are provided, and critical commentary, future trends and exercises and questions are provided. Now firmly established as an essential text on theological reflection, this new edition has been revised and updated with a new introduction, updated examples, and refreshed bibliographies
Through reference to plays, poetry, novels, films and painting, this manifesto traces the genealogy of ‘true religion' in the western world and makes six controversial claims about the past, present and future of religion. Traces a transformation in the way religion is understood and performed in the western world. Makes several major claims about the past, present and future of true religion. Uses cultural metaphors as ways into understanding religion. Refers to plays, poetry, novels, paintings and films, including Romeo and Juliet, Moby Dick, The Exorcist and Stigmata. Suggests that the end of wars between nations could result in a return of wars of faith. Part of the prestigious Blackwell Manifestos series.