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Theatre-Fiction in Britain from Henry James to Doris Lessing
This volume posits and explores an intermedial genre called theatre-fiction, understood in its broadest sense as referring to novels and stories that engage in concrete and sustained ways with theatre. Though theatre has made star appearances in dozens of literary fictions, including many by modern history’s most influential authors, no full-length study has dedicated itself specifically to theatre-fiction—in fact there has not even been a recognized name for the phenomenon. Focusing on Britain, where most of the world’s theatre-novels have been produced, and commencing in the late-nineteenth century, when theatre increasingly took on major roles in novels, Theatre-Fiction in Britain a...
Journey to Comfort
Siblings Jack and Jaz Donaldson just want to be regular kids. But one evening, after fourteen-year-old Jack protects his younger sister during an argument with another girl, the two suddenly realize that they are not regular at all. Soon, they share a dark secret between thema secret so shocking that it has the potential to destroy their affluent family. Jack and Jazs well-meaning parents have no idea what effect their own actions and, sadly, inactions have wrought. As Jack and Jaz continue on their coming-of-age journeys and experience life-changing moments, the confidence only they share is never compromised, yielding at least the appearance of a normal life. But decades later, their world...
The Routledge Companion to Theatre-Fiction
Novelists have long been attracted to theatre. Some have pursued success on the stage, but many have sought to combine these worlds, entering theatre through their fiction, setting stages on their novels’ pages, and casting actors, directors, and playwrights as their protagonists. The Routledge Companion to Theatre-Fiction has convened an international community of scholars to explore the remarkable array of novelists from many eras and parts of the world who have created fiction from the stuff of theatre, asking what happens to theatre on the pages of novels, and what happens to novels when they collaborate with theatre. From J. W. Goethe to Louisa May Alcott, Mikhail Bulgakov, Virginia W...
Graham Greene
Until 1970, Graham Greene made a sharp distinction between his novels and his lighter fiction, which he called "entertainments. "The use of the two categories seems to indicate that the latter books are trivial and inferior; yet Peter Wolfe shows that the entertainments are more than escape fiction; they are, rather, an almost distinct new genre.Wolfe focuses on seven books, from "Orient Express "(1932) to "Our Man in Havana "(1958), showing recurring themes as well as the evolution of the entertainment form.Graham Greene enthusiasts will find this new book particularly valuable for its long and careful look at the less-discussed works, while readers of thrillers will appreciate Wolfe s analysis of them as a literary genre."
Intertextuality in American Drama
The new essays in this collection, on such diverse writers as Eugene O'Neill, Susan Glaspell, Thornton Wilder, Arthur Miller, Maurine Dallas Watkins, Sophie Treadwell, and Washington Irving, fill an important conceptual gap. The essayists offer numerous approaches to intertextuality: the influence of the poetry of romanticism and Shakespeare and of histories and novels, ideological and political discourses on American playwrights, unlikely connections between such writers as Miller and Wilder, the problems of intertexts in translation, the evolution in historical and performance contexts of the same tale, and the relationships among feminism, the drama of the courtroom, and the drama of the stage. Intertextuality has been an under-explored area in studies of dramatic and performance texts. The innovative findings of these scholars testify to the continuing vitality of research in American drama and performance.
The Routledge Companion to Theatre-Fiction
"Theatre has made star appearances in hundreds of novels and stories. Dozens of history's most influential authors from J. W. Goethe to Virginia Woolf have set stages on their pages and cast actors, directors and playwrights as their characters. But while science fiction, sea fiction, or crime fiction have been extensively discussed, "theatre-fiction" has not received the attention that this enduringly popular and complex genre deserves. The Routledge Companion to Theatre-Fiction convenes an international community of scholars to put a spotlight on novelists from many eras and parts of the world who enter theatre through their fiction. Bringing canonical novelists like Louisa May Alcott and Mikhail Bulgakov into conversation with new writers including Mona Awad and Eleanor Catton, as well as understudied writers from Mishima Yukio to Syed Mustafa Siraj and Vicente Blasco Ibañez, the Companion's thirty chapters examine what happens to theatre on the pages of novels, and what happens to novels when they collaborate with theatre"--
Sessional Papers
"Report of the Dominion fishery commission on the fisheries of the province of Ontario, 1893", issued as vol. 26, no. 7, supplement.
