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The ways in which Aboriginal people and museums work together have changed drastically in recent decades. This historic process of decolonization, including distinctive attempts to institutionalize multiculturalism, has pushed Canadian museums to pioneer new practices that can accommodate both difference and inclusivity. Ruth Phillips argues that these practices are "indigenous" not only because they originate in Aboriginal activism but because they draw on a distinctively Canadian preference for compromise and tolerance for ambiguity. Phillips dissects seminal exhibitions of Indigenous art to show how changes in display, curatorial voice, and authority stem from broad social, economic, and ...
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This standard textbook on Michigan history covers the entire scope of the Wolverine State's historical record -- from when humankind first arrived in the area around 9,000 B.C. up to 1995. This third revised edition of Michigan also examines events since 1980 and draws on new studies to expand and improve its coverage of various ethnic groups, recent political developments, labor and business, and many other topics. Includes photographs, maps, and charts.