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Physics and Whitehead
Featuring discussions and dialogue by prominent scientists and philosophers, this book explores the rich interface of contemporary physics and Whitehead-inspired process thought. The contributors share the conviction that quantum physics not only corroborates many of Whitehead's philosophical theses, but is also illuminated by them. Thus, though differing in perspective or emphasis, the contributions by Geoffrey Chew, David Finkelstein, Henry Stapp and other scientists conceptually dovetail with those of Philip Clayton, Jorge Nobo, Yutaka Tanaka and other process philosophers.
Moving without a Body
A radically empirical exploration of movement and technology and the transformations of choreography in a digital realm. Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movemen...
Process and Difference
The similarities and creative tensions between French-based poststructuralism and Whiteheadian process thought are examined here by leading scholars. Although both approaches are labeled "postmodern," their own proponents often take them to be so dissimilar as to be opposed. Contributors to this book, however, argue that processing these differences of theory at a deeper level may cultivate fertile and innovative modes of reflection. Through their comparisons, contrasts, and hybridizations of process and poststructuralist theories, the contributors variously redefine concepts of divinity and cosmos, advance the interaction between science and religion, and engage the sex/gender and religious ethics of otherness and subjectivity.
Annual Report - National Endowment for the Humanities
Includes appendices.
Body Criticism
In this erudite and profusely illustrated history of perception, Barbara Stafford explores a remarkable set of body metaphors deriving from both aesthetic and medical practices that were developed during the enlightenment for making visible the unseeable aspects of the world. While she focuses on these metaphors as a reflection of the changing attitudes toward the human body during the period of birth of the modern world, she also presents a strong argument for our need to recognize the occurrence of a profound revolution—a radical shift from a textbased to a visually centered culture. Stafford agues, in fact, that modern societies need to develop innovative, nonlinguistic paradigms and to train a broad public in visual aptitude.
Forms of Concrescence
Ricorso and Revelation traces the impact on Modernism of the archaeological discoveries of the Palace of Knossos, the Royal Cemetery of Ur, and the Tomb of Tutankhamen, and the artifacts recovered from these sites, showing how they entered the narrative strategies of the Modernist movement. The author also develops a new argument about the four myth configurations — the maze, alchemy, the Great Goddess, and the Apocalypse — which were of central importance to the literature of European Modernism between 1895 and 1946, studying their appearances in a wide range of European modernist writers and in the paintings of Picasso and the films of Jean Cocteau. Drawing from a variety of theories on myth, Smith suggests that each of these four myths represents a creative return to the origins (ricorso), a reduction of the raw materials of daily life to the fundamental elements of creation (revelation), followed by a recreation of the world (cosmogenesis), of the poet (ontogenesis), and of the text (poesis).
