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Ricorso and Revelation traces the impact on Modernism of the archaeological discoveries of the Palace of Knossos, the Royal Cemetery of Ur, and the Tomb of Tutankhamen, and the artifacts recovered from these sites, showing how they entered the narrative strategies of the Modernist movement. The author also develops a new argument about the four myth configurations — the maze, alchemy, the Great Goddess, and the Apocalypse — which were of central importance to the literature of European Modernism between 1895 and 1946, studying their appearances in a wide range of European modernist writers and in the paintings of Picasso and the films of Jean Cocteau. Drawing from a variety of theories on myth, Smith suggests that each of these four myths represents a creative return to the origins (ricorso), a reduction of the raw materials of daily life to the fundamental elements of creation (revelation), followed by a recreation of the world (cosmogenesis), of the poet (ontogenesis), and of the text (poesis).
A radically empirical exploration of movement and technology and the transformations of choreography in a digital realm. Digital technologies offer the possibility of capturing, storing, and manipulating movement, abstracting it from the body and transforming it into numerical information. In Moving without a Body, Stamatia Portanova considers what really happens when the physicality of movement is translated into a numerical code by a technological system. Drawing on the radical empiricism of Gilles Deleuze and Alfred North Whitehead, she argues that this does not amount to a technical assessment of software's capacity to record motion but requires a philosophical rethinking of what movemen...
Includes appendices.
Featuring discussions and dialogue by prominent scientists and philosophers, this book explores the rich interface of contemporary physics and Whitehead-inspired process thought. The contributors share the conviction that quantum physics not only corroborates many of Whitehead's philosophical theses, but is also illuminated by them. Thus, though differing in perspective or emphasis, the contributions by Geoffrey Chew, David Finkelstein, Henry Stapp and other scientists conceptually dovetail with those of Philip Clayton, Jorge Nobo, Yutaka Tanaka and other process philosophers.
The similarities and creative tensions between French-based poststructuralism and Whiteheadian process thought are examined here by leading scholars. Although both approaches are labeled "postmodern," their own proponents often take them to be so dissimilar as to be opposed. Contributors to this book, however, argue that processing these differences of theory at a deeper level may cultivate fertile and innovative modes of reflection. Through their comparisons, contrasts, and hybridizations of process and poststructuralist theories, the contributors variously redefine concepts of divinity and cosmos, advance the interaction between science and religion, and engage the sex/gender and religious ethics of otherness and subjectivity.
Process and Analysis brings together an unprecedented collection of the world's leading contemporary process and analytic philosophers to explore philosophical topics of common interest. The contributors examine a wide variety of explicit and implicit commonalities and differences of approach to such central philosophical issues as the nature and status of events, time, space, relations, particulars, and God. This unique collection demonstrates that both traditions have important things to say to one another. In fact, a largely ignored conversation between the two traditions has been carried on since at least the days of Whitehead's influence on early Cambridge analytic philosophy. This long awaited volume is an invaluable research tool for scholars and students alike working in the areas of analytic and process philosophy.